A Quote by Val Kilmer
Being creative and making money in the theater is very challenging.
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When you are making a lot of money people forget you are trying to be creative and they picture you laughing all the way to the bank ... especially with an action script, automatically it gets boo-hooed as being worthless. It was very difficult to hear that sort of thing and I lost a good many friends over money issues because they didn't have money or their scripts weren't selling and mine were.
Today, making money is very simple. But making sustainable money while being responsible to the society and improving the world is very difficult.
TV show is always challenging. It's challenging when you have all of the time and money in the world, and it's more challenging when you have less money.
Rather than making money I believe in making people happy, all other things are secondary. Money isn't important, creative satisfaction is
I'm constantly involved in theater, looking at theater, trying to do work in theater, support theater. And that's kind of my creative passion.
All the interesting films are now being made by their subsidiaries for very low budgets. But the studios are not making money. They're making these big, very expensive pictures that take a lot of money but don't really pay for their costs. So they're having a very difficult time. I can see the system breaking down. I think the American studios are a reflection or a metaphor for American industry altogether, which is failing in the world. Its economic domination is being broken down and I think the same thing is happening to the studios.
Money should not be in the hands of individuals; otherwise it will create this problem of being burdened with guilt. And money can make people's lives very rich. If the commune owns the money, the commune can give you all the facilities that you need, all the education, all creative dimensions of life.
When you are doing a site that you understand is not making money, you kind of understand when times get challenging or there is a new economic climate, you will be scrutinized very closely.
A movie is a filmed rehearsal in a way. The audience doesn't know that because you're taking out the things that don't work. There's no comparison to the theater because it's live. But making a movie is just as challenging and exciting, I find. A movie is pure process. The theater is the result of process.
It takes a little more time to get into the role, but not very much more. In making a record you don't have the sense of projection over a distance as in an opera house. We have this microphone and this magnifies all details of a performance, all exaggerations. In the theater, you can get away with a very large, very grand phrase. For the microphone, you have to tone it down. It's the same as making a film, your gestures will be seen in close-up, so they cannot be exaggerated as they would be in a theater.
The beauty of making theater is that you have to go and do it the next day. Making a show nightly is a really difficult skill. It's something every theater actor and every theater maker is challenged with.
I feel like there's an obsession with pace right now in theater, with things being very fast and very witty and very loud, and I think we're all so freaked out about theater keeping audiences interested because everybody's so freaked out about theater becoming irrelevant.
Creative content is challenging, no matter what, and animation is particularly challenging.
What's so great is that we're making money for AIDS in Africa. There's a lot of love and spontaneity, we're doing something creative. That's what I love about Red. It's not just a charity, "Give us money, give us money." It's being innovative. Like here's a show that you won't see anywhere else and you can come and whatever you pay for your ticket it's going somewhere. You can go and buy a pair of Armani shades, like Bono, but the money goes to Africa. It's quite cool.
I'm a prize fighter. Titles don't pay bills. I fight for money. I'm making money. They're making money. Everybody's making money. That's what this is all about.
I remember being interested in theater when I was in school, but I wasn't always engaged in making it a career. I was a cheerleader in Texas, but I tore my ACL, so I was out for the rest of the season. That's when I started putting more of my passion into theater.
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