A Quote by Val Kilmer

If you're in a hit movie, it's good to be in another hit movie straight away. — © Val Kilmer
If you're in a hit movie, it's good to be in another hit movie straight away.
If you have a flop movie, so what? And if you have a hit movie, it's 'so what,' too - it's on to the next movie.
If I knew what makes a movie catch on then I'd make hit after hit.
'Anchorman' was never supposed to be a popular, like, hit movie. That movie was a cheap movie - it felt like we were working on a weird independent comedy in a way.
In golf, no one learns to hit a draw, a fade, or a cut shot until they've been taught how to hit the ball straight. Similarly, novice poker players need to learn how to 'hit it straight' before taking on more difficult concepts.
There's nothing like a hit movie to make you think you're one of the chosen people. It's amazing how smart we are the morning after a hit opens.
Over all these years, I have never had a hit movie, never had a hit television programme and never had a hit record. To my way of thinking, that means success has not been achieved. I have made no mark of my own creation. This is something to be considered.
Any time anyone fires bullets in an action movie that don't hit the target it immediately undermines the movie.
For a movie - any movie - to work, all the bread has to fall jelly side up; everything has to go right. You have to hit the zeitgeist.
I'm a character actor, so I don't take the hit if the movie's bad, the lead does. So, I don't want to be the lead. He takes the hit, I don't.
So when Community came up and then the movie roles started happening I was very grateful. I am trying to be careful with the movie roles I select because if you pull the trigger too quickly, like choosing a lead role in a crappy movie then you will be put in movie jail and you will never be heard from again. If it's not a big hit you'll be forgotten pretty fast.
The axe is fifteen pounds. You have to make sure you don't hurt or hit someone. And hit the beats, because they have five cameras. It has to look real. That in itself becomes challenging because you have to learn it straight away.
We did the original 'Stargate' as an independent movie. It was a surprise success. Shortly before the movie came out, the financiers who were frightened the movie might not do well sold the film to MGM. When the film came out, it was a hit and spawned TV shows.
On the first movie we got good reviews, but we were still dealing with genre stuff. It's going away. Judge the movie - is it a good one or a bad one? We know we made a great movie and it's being judged for just being a good film.
I've made some stupid decisions, so I have to be careful. I once said 'no' to a film that was a number-one hit. And 'Date Movie' had the smallest budget of any movie I'd been in, and it went to the top of the box office.
I am so delighted when I get to see a really good movie. In that experience the artifice of movie making, the photography or the cutting style, falls away because you are inside the movie.
Never had a hit movie or hit TV show or hit record. I just had visions of doing the best quality of music. Now there is a place for me because Frank Sinatra is dead. They want me to play the music. If it wasn't for that, I wouldn't be noticed. The only satisfaction is that I do what I do well. That's the only lawful satisfaction.
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