A Quote by Val McDermid
Walking by water frees your creativity. I don't know how it works - there's something about it that's liberating.
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I still don't know how to jump-start a car, even though it's been told to me a million times. But I do love thinking about how creativity works.
The best way to make change is to know how something works. If you're going to go build something or change whatever it is, if you don't know how it works and you're trying to go make a change in it, the first thing you're doing is you're spending time figuring out how it works. The same thing happens in organizations.
Making movie you just think, well, you know what you're gonna do, and you just when it comes down to the very specifics of it, you kind of have to rely on your mode of panic, and how well your imagination and creativity and all that works when you're in that moment. And you know, frankly, I never worried about that. I never worried that as we moved into the very specifics of it.
I know how bad a thing it is to be a slave and I know how terrible it was but I don't believe that there's a free person in the whole world that knows how good a cup full of water can taste. Because you have to be a deprived slave, to be kept waiting for your water like we were to really appreciate how good just one swallow can be. When we finally got a drop on our tongues it was like something straight from the hands of the Almighty.
I'm inspired by other people's creativity, just seeing things happen and wondering where they come from. That gets my mind going. Even if it's just wanting to know how something works.
It’s walking the razor’s edge of the sacred moment where you don’t know, you can’t count on, and comfort yourself with any sure hope. All you can know is your allegiance to life and your intention to serve it in this moment that we are given. In that sense, this radical uncertainty liberates your creativity and courage.
If you think hitting 40 is liberating, wait until you hit 50; and I was surprised at how liberating it was. The anticipation of something is always much worse than the reality.
Put your energies into creativity. Forget about anger as a problem, ignore it. Channelise your energy towards more creativity. Pour yourself into something that you love. Rather than making anger your problem, let creativity be your object of meditation. Shift from anger to creativity and immediately you will see a great change arising in you. And tomorrow the same things will not feel like excuses for being angry because now energy is moving, is channelised, is being sublimated, is enjoying itself, its dance. Who cares about small things?
I have the advantage of having found out how hard it is to get to really know something. How careful you have to be about checking your experiments. How easy it is to make mistakes and fool yourself. I know what it means to know something.
I don't know where creativity comes from, but I think everybody has the ability to be creative. I think what's important about creativity starts when you're very young and how we're allowed to experience our imagination. The people who bring us up and teach us are fundamental in either encouraging creativity or discourging creativity. My imagination was always encouraged.
When I started walking and I looked down and I saw on the floor this water, which looked like, you know, water in your basement except it happened to be in the auxiliary building of a nuclear power plant.
If you work on network TV, they want to pick your casts, dictate your story and how your show works. It just becomes creativity by committee, which is never good.
Just be honest with who you are. Don't pretend to be something you're not. Don't be a phony. Walk your talk. That's how God works, so doing it is emulating how Source works.
That's the trouble with the conventional doctors. They always say, 'How does it work?' but often there isn't any neat little answer...Something simply works...We don't really know how it works. We say we do. We know one or two things we can see and measure.
I find singing as somebody else very liberating, it just frees me up.
The book works better if I know everything I can about the ending. Not just what happens, but how it happens and what the language is; not just the last sentence, but enough of the sentences surrounding that last sentence to know what the tone of voice is. I imagined it as something almost musical. Then you are writing toward something; you know the sound of your voice at the end of the story. That's how you want to sound in those final sentences: the degree that it is uplifting or not, the degree that it is melancholic or not.
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