A Quote by Valentin Chmerkovskiy
The best part about live shows is you have a script, and you throw it out after the first five minutes.
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Josh had told me a long time ago that he had this theory that an entire relationship was based on what occurred over the course of the first five minutes you know each other. That everything that came after those first minutes was just details being filled in. Meaning: you already knew how deep the love was, how instinctually you felt about someone. What happened in their first five minutes? Time stopped.
A first kiss after five months means more than a first kiss after five minutes.
My reaction to porno films is as follows: After the first ten minutes, I want to go home and screw. After the first twenty minutes, I never want to screw again as long as I live.
In 2004 Professor Stephen Farnsworth, when I report saying that I got about five minutes on all the networks after Labor Day to election day: only five minutes even though I, like you, were representing majoritarian issues.
Even now, my husband Jerry, our son Matthew and I live only five minutes away from my parents home, and my brothers live about ten minutes away. It's been great having such a supportive family.
The best thing about my house is that I live five minutes from the airport, and since I fly more than I drive, it saves me a lot of time.
The first dance we did for 'Ain't Misbehavin' was five minutes and I was like, 'What? Five minutes!'
After about five hours of pushing, my midwife and my birthing assistant said, 'You know, we have a few suggestions.' And I was like, 'Really? After five hours of pushing you have a few suggestions? You couldn't have told me five minutes in?'
Michael died five years ago this January, and the first thing that really struck me about the script was the part about her peeling off from the funeral and just getting into a rowboat and having a real kind of cry where nobody was.
When you start out as an actor, you read a script thinking of it at its best. But that's not usually the case in general, and usually what you have to do is you have to read a script and think of it at its worst. You read it going, "OK, how bad could this be?" first and foremost. You cannot make a good film out of a bad script. You can make a bad film out of a good script, but you can't make a good film out of a bad script.
If I can tell you the story from beginning to end in five minutes, I'm ready to start writing. Then it's a constant spreading out of that five minutes.
I love dialogue, but I'm also terrified of it. In all my movies, I've done my best to cut out as much dialogue as possible. I love the spaces in those silences. Even in 'Pete's Dragon,' I was so happy that the first twenty minutes have about five or six lines of dialogue.
My audience is comprised of three categories. The first category contains the people who decide after the first five minutes that they've made a mistake and leave. The second category is the people who give the film a chance and leave annoyed after 40 minutes. The third category includes the people that watch the whole film and return to see it again. If I'm able to persuade 33% of the audience to stay, then I can say that I've succeeded.
You live more in five minutes on a bike like this going flat out than some people live in a lifetime.
Earlier today, we got a call from Stephen Hawking. He's a genius, and after 6,028 shows he ran the numbers and he said it works out to about eight minutes of laughter.
You’re crazy,” said her best friend, Angela, as the bell rang to signal five minutes before the first class on the first day back at school. “They said that about all the great visionaries.” “You know who else they said it about?” Angela demanded. “All the actual crazy people.
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