A Quote by Valentino Rossi

As for the level of spectacle of the two disciplines, I leave it to the people who watch the races to comment. — © Valentino Rossi
As for the level of spectacle of the two disciplines, I leave it to the people who watch the races to comment.
I've realized that a lot of people go to see film or theater with a different expectation. I have a friend who's an actor and I can't stand watching movies with him because he never quite allows himself to just watch the story. He'll comment on the lighting, he'll comment on the [camera] angle. I'm not saying there's a wrong way to watch it - maybe that's helpful to him - but to me, you're getting way too caught up in the technical aspects.
I don't understand art-speak. My pictures are big doodles. I'm amazed what people come up with when they look at them. There's one of a figure with two heads that somebody thought must be a comment on the state of matrimony. None of it is a comment on anything.
People should say 'no comment' more often. No comment! I love no comment. Let's have more no comment.
Anyday, one can walk down the street in a big city and see a thousand people. Any photographer can photograph these people - but very few photographers can make their prints not only reproductions of the people taken, but a comment upon them - or more, a comment upon their lives - or more still, a comment upon the social order that creates these lives.
I don't watch my Rio races back. I'll look at my London 2012 races a lot. But not Rio.
Writing for television is a great job. And it's a job. Most people watch TV and have a comment about one or two moments of an episode - whether they love it or hate it or something in between. To come up with every moment of an entire season of a TV shows is heavy lifting.
People go to car races to watch the crashes.
People sometimes punish to exact judgment for past actions. God disciplines in order to teach and always in the interest of those whom he disciplines.
If you are out in two races and someone else has a good couple of races, it could change. So all we do is try to get the optimum every time.
Anyone that has been lucky enough to go to the races and witness the magnificent spectacle of a competitive race will know how people like me can instantly fall in love with the power and beauty of race horses in full gallop.
My world is not spectacle and explosion. It's two people talking.
I don't watch the kind of cinema where people say, 'Leave your brain at home,' and watch.
You can't blame movies for embracing spectacle; filmmakers since D.W. Griffith and Cecil B. De Mille have loved spectacle, and spectacle is something that movies convey like no other medium, especially in a digital age.
I think, in the United States, we talk about race as a black and white issue... We're generally talking about it as if it's a binary equation whereas, in fact, there's more than two races and, in fact, those races blend together. There are a lot of different ways that people identify.
We grow tyrannical fighting tyranny. . . . The most alarming spectacle today is not the spectacle of the atomic bomb in an unfederated world, it is the spectacle of the Americans beginning to accept the device of loyalty oaths and witch hunts, beginning to call anybody they don't like a Communist.
I don't think people come to television for spectacle. And I don't really have a lot of fun writing spectacle for television, I'll do that in features.
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