A Quote by Valerie Azlynn
I would recommend going out for more independent films. You can get bigger roles and really work your acting chops and build a reel.
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I often find the smaller, independent films are much more rewarding than the bigger stuff, but you do the bigger stuff because it's a business, and you've got to show your face a bit, get yourself around.
I had to work out where I was going, what type of films I wanted to make. For that reason, I decided to choose independent productions, less important roles, and I tried theater, too.
Going forward, I would love to work with directors like Rian Johnson and Joss Whedon; people like that who are doing big films but do have really independent voices. That's kind of what I want to focus on, is always working with people with at least an independent point of view, even if it's not an independent film.
With stand-up you meet almost constant rejection. You put yourself out there with your thoughts and your ideas, and you think they're funny, and you hope other people think they're funny too. The only way you're going to find out is when you do it and what the reaction is going to be. So if you're not prepared for that, if you're not willing to go along with that, it's going to be a rough road. But beyond stand-up, in terms of auditioning for acting roles, you don't get most of the roles you audition for - you get a precious few.
I always had acting work when I needed it. I think that is why, when I watch films or TV series in America, I find in small roles or in supporting roles really amazing faces, where I have the feeling these people have actually had a life outside of acting. I find it almost a pity that I've never done anything else.
When we get this health care done, America, we're going to be able to have regulations on how heavy you can be. And we're going to be able to set up various tax penalties, for example, if you weigh more than we think you should or we just may not let you get on that airplane because your carbon footprint, you're gonna waste so much jet fuel, we may not let you get on that bus, we may not let you drive your car, we may not build a bigger doorway for you to get through, may not give you a bigger toilet.'
The worst part is that if you become part of a major - all these independent labels become farm teams for your corporate parent. Basically, you do all the work for years, blowing up an artist - you discover them, blow them up, you build their fan base. And then that artist is like, "Okay, now I'm here. Now I want more. I want to be bigger." And you're either going to be able to accommodate them, you're going to be able to figure out how to take that step with them, or you're going to lose them.
If you're looking for reps, write letters that are short and professional. Make sure you have a really great reel of yourself. If there are friends you know who are making short films, do them - it's all material for your reel.
You know, independent films have been institutionalized, practically. Every studio has got a boutique arthouse label. There's like, 18 different independent film-financing funds. In fact, I think the children of those films are getting made. A more interesting question is whether those films are going to get seen and appreciated.
When you're younger you don't care so much, but as you get older you have a family and stuff like that. But I've always kept my foot in theatre and I've kept my foot in independent film, so I'm really happy going back and forth. So, if I can't find the meaty roles in studio films, then I'll go back and dig up a little independent where I can flex my muscles a little bit.
I had no ambitions to become an actor, whatsoever. I was just waiting for my films to get made and some friends of mine, out of the kindness of their hearts, because I was sitting around doing nothing, started casting me in small roles and the roles got bigger.
You can really get your chops in shape in the resident theatres, and I urge anyone to investigate them and to be willing to go anywhere to pursue the great roles.
Get yourself into every audition that you can. Even in those for smaller roles, you'll never know when someone may recommend you for a bigger one.
Hollywood... that's not going to be my niche at all. If anyone is going wants to work with me, I would think it's going to be independent films. I'm not 22!
When you work on big commercial movies, of course there's more money involved and you can still do some good work. But with an independent, you get films that are really close to the writers' and directors' heart. Somehow it becomes a little deeper. A little more meat and not as much flash.
It's just the acting side of things. It's not like music, where you can go out there and be independent. It's a bit more difficult to get out there on your own and be an actor. It takes time.
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