A Quote by Valerie Harper

I danced in choruses from about 1959 to 1967, in 'Take Me Along,' 'Wildcat,' and 'Subways Are for Sleeping.' — © Valerie Harper
I danced in choruses from about 1959 to 1967, in 'Take Me Along,' 'Wildcat,' and 'Subways Are for Sleeping.'
Women, as well as men, in all ages and in all places, have danced on the earth, danced the life dance, danced joy, danced grief, danced despair, and danced hope. Literally and metaphorically, by their very lives.
People want subways, folks... subways, subways. They don't want these damn streetcars blocking up our city!
The choruses are important for me. I want to say something, and sing-along is great.
Once a Wildcat, always a Wildcat!
Grandma told me all about it, Told me so I couldn't doubt it, How she danced, my grandma danced; long ago.
My birth at the end of July 1967 makes me a child of the naksa, or setback, as the Arab defeat during the June 1967 war with Israel is euphemistically known in Arabic.
I hate it when something is set in 1967 and every piece of furniture was made in 1967. No! If it's set in 1967, people have furniture given to them by their grandmother, which she bought in 1932!
I write my own lyrics completely on my own. Sometimes I have people helping me with concepts or like choruses and stuff sometimes, but mostly I write all my own songs by myself, especially the verses and a lot of the choruses.
Tebow is the kind of guy who could revolutionize the game. He's the 'wildcat' who can throw. Most of the teams that have the wildcat back there, it's Ronnie Brown, it's Jerious Norwood, it's whoever you want to say it is. This guy here is 250 pounds of concrete cyanide, man. And he can throw. He throws well enough at any level to play quarterback.
The first record I ever danced to in a grown-up disco was Donna Summer's 'A Love Trilogy'. I danced for the full 15 minutes and I thought to myself, 'This is it, this is what it's all about.'
...and if you hear something you know, please sing along. No wait - I take that back - you can't sing along - this is about me now - this is my show.
I have never, ever slept through my child crying unless I have had a sleeping tablet; and I only take a sleeping tablet when I know Steve, my husband, is on duty. We take turns: he does one night, I do the next.
I have performed for thousands when they found me exotic, the vogue, daring, but I have danced, at any given time, for about ten people... They were the ones that left the theater forever different from the way they were when they came in. All of my long, long life, I have danced for those ten.
When we were in the woods beyond Gowbarrow Park we saw a few daffodils close to the waterside. But as we went along there were more and yet more and at last under the boughs of the trees, we saw that there was a long belt of them along the shore, about the breadth of a county turnpike toad. I never saw daffodils so beautiful. They grew about the mossy stones about and about them, some rested their heads upon these stones as on a pillow for weariness and the rest tossed and reeled and danced and seemed as if they verily laughed with the wind that blew upon them over the lake.
If I thought there was some reason to be concerned about them, I wouldn't be sleeping in this house tonight. (When asked about continued presence of Soviet nuclear submarines along US coastlines)
I like structuring verses, choruses, but sometimes the verses might be a tango and the choruses might be death metal.
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