A Quote by Valerie June
When I talk about music in Memphis, it's a place you can go if you are a beginning artist or anywhere in your career, and you can incubate.
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Obviously, fans are the beginning and end for any artist. The minute your fans embrace you and accept you, you begin this ride of being in music and having a career doing something you love. You get to go be a kid and live out your dreams by performing music for fans who come out to your shows.
I love Memphis, I guess you could say, in the way that you love a brother even if he does sometimes puzzle and sadden and frustrate you. Say what you want about it, it's an authentic place. I was born and raised in Memphis, and no matter where I go, Memphis belongs to me, and I to it.
It's not hard for me to be honest with my fans because that's what I set out to do from the beginning - I've based my entire career off of just trying to do that for them - but I always kind of forget that my real life friends can hear my music and they can watch my interviews if they want and that's when I get kind of like- "oh..." - I don't necessarily sit down and talk to my friends about all the things that I write my music about, because it's easier for me to write music than to sit and talk to my friends about it sometimes- it's almost like writing in a diary.
I have very specific advice for aspiring writers: go to New York. And if you can't go to New York, go to the place that represents New York to you, where the standards for writing are high, there are other people who share your dreams, and where you can talk, talk, talk about your interests.
My advice for aspiring writers is go to New York. And if you can’t go to New York, go to the place that represents New York to you, where the standards for writing are high, there are other people who share your dreams, and where you can talk, talk, talk about your interests. Writing books begins in talking about it, like most human projects, and in being close to those who have already done what you propose to do.
If you want to talk about EDM, let’s talk about Detroit underground music, Chicago house and let’s talk about all the things that got us to this place. We all get on the train of dance music. We need to all respectfully look through the carriages that have come before us and realize how we got here.
If you want to talk about EDM, let's talk about Detroit underground music, Chicago house and let's talk about all the things that got us to this place. We all get on the train of dance music. We need to all respectfully look through the carriages that have come before us and realize how we got here.
People think it's not necessary to talk to another human being, and that's the part of it that I don't like. Some people will go up and want to talk to you about the music, which is cool; they're enthusiastic about the songs and know stuff about it, or, 'I really like your music. Nice to meet you.'
God chose Memphis as the place that I will continue my career.
I think it go serious in college when I found out I really enjoyed making people laugh. It makes me happy. I said, I wanna be a comedian, I wanna get good.' You're not good in the beginning. You're still trying to figure out what the things are that you are going to talk about, what your angle is going to be and there's a lot of trial and error. I just never gave up and that was the beginning of my career. Just experimenting, trying it out and falling in love with it.
When you get in the middle of a career and you're successful, people come and offer you things. My biggest fear was that if you try to do something else and you're trying to build your music career, and then you say, "I'm going to go do a movie," and you're terrible, you can really hurt your music career because as a musician, the goal is to be cool. You're playing the guitar and you're in front of all these people and your vibe is to be as cool as you can possibly be.
As far as Memphis being underrated, I feel like a lot of people have slept on Memphis music when it comes to breaking through into the mainstream.
I think any information about any type of art form, it's always the right time. But since the last one, I could see there were many things about the culture of DJing that we don't really talk about. We don't really look at how the music is made, how it's conceptualized, how it's put together. We talk about the equipment and the software, but we don't talk about the reasons why we put the music together in the first place.
What happens at the average church or synagogue or mosque is that I don't know many priests or ministers or rabbis who say to their congregation, 'go home and talk about the religion at the kitchen table with your kids...talk about God, talk about what this is all about.' They say in general, come back on the weekend, we'll talk to you about it.
Music is funny. I shouldn't even ever talk about music, because you can have all the ideas in your head, and it never goes exactly the way that you think it's gonna go.
I'll talk all this craziness in my music, but when I have your attention, and you're listening to me, I'll talk about what I want to talk about and what I think we need to address.
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