A Quote by Valerie June
There are a lot of murder ballads out there, but most of them are about killing the woman. I was like, "We've gotta turn this around!"
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Even the sad roots songs have a lot of good stories to them, and the murder ballads are good too. I mean, who doesn't like to watch a nice gory murder film on TV?
For a while, it was something to try to push at people, playing old murder ballads and being upset about everything I was seeing around me. But now I feel a lot more at peace with it.
Do you have to do murder?
Do we have to do murder? Sure we have to do murder. There are only two subjects--a woman's chastity, and murder. Nobody's interested in chastity any more. Murder's all we got to write stories about.
Do you remember the things you were worrying about a year ago? How did they work out? Didn't you waste a lot of fruitless energy on account of most of them? Didn't most of them turn out all right after all?
The idea of songwriting is a transformative thing, and what I do with songwriting is take situations that are quite ordinary and transform them in some way. Apart from things like the murder ballads, the songs I write, at their core, are quite ordinary human concerns, but the process of writing about them transforms them into something else.
Alabama - they were the masters of that. They could come out with 'Mountain Music' or 'Tennessee River' and then turn around and come out with 'Feels So Right.' Go out and have fun and be those guys that like to party, then turn around and make every woman in America want Randy Owen.
I know something about killing. I don't like killing. And I don't think a state honors life by turning around and sanctioning killing.
Once you let people know anything about what you think, that's it, you're dead. Then they'll be jumping about in your mind, taking things out, holding them up to the light and killing them, yes, killing them, because thoughts are supposed to stay and grow in quiet, dark places, like butterflies in cocoons.
Maybe you could put it out there that I don't have a built-in dislike of ballads. That was kind of the reputation I had back in the Seventies. But I've come around. Ballads have become something of an acquired taste.
I turn sentences around. That's my life. I write a sentence and then I turn it around. Then I look at it and I turn it around again. Then I have lunch. Then I come back in and write another sentence. Then I have tea and turn the new sentence around. Then I read the two sentences over and turn them both around. Then I lie down on my sofa and think. Then I get up and throw them out and start from the beginning.
I watch the people I hang around, 'cause if you hangin' with people who still got their foot in the street, that really involves you as well. It's definitely all about the company I keep. If you don't want anything to do with the streets or whatever, but you got everybody around you in the street, you just as much a part of it as they are. A lot of times it's very hard; you gotta straight cut off people, you know what I mean? If it ain't good for you, you just gotta turn your back to it.
Fine, you do that, and you tell them that at the very first opportunity, I'm coming down there and killing all of them. Mass murder. And after they're all dead, I'm going to kick the bodies around, dance on top of them, and sing a happy song. No jury will convict me.
How easy is murder when one calls it by a different name? How much easier is it for the conscience to condone "reaping" than "killing"-and when one knows that death isn't the end, does it stop the killing hand for fear of retribution, or does it simply make it easier to kill, because, if life continues, how can murder be murder at all?
I do not think that condemning people who murder and killing them necessarily sends out the right message.
It takes away a lot of the thrill of killing yourself when people are looking for you and you're disappointing them, because it is a lot of fun when you're out there killing yourself.
Americans (I, I'm afraid, among them) go around carelessly assuming they're tolerant the way they go around carelessly saying, 'You ought to be in pictures.' But in the clinches, they turn out to be tolerant about as often as they turn out to be Clark Gable.
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