A Quote by Valerie June
I think it's funny how people get confused when they think about church music, because a lot of times there is a soloist who stands out, but my church wasn't like that at all.
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Most of the characters I write with don't think an awful lot about their faith. They're not always questioning the church or feeling confined by the church or rebelling against the church.
I auditioned for a solo in church and got it. I was about seven and I sang a song called, 'Jesus, I Heard You Had a Big House' and I remember people standing up at the end and me thinking, 'Oh, I think I'm going to like this.' That's how it all began. Sounds funny to say you got your start in church, but I did.
The Church is always in trouble because the Church walks into the trouble in which mankind is trying to resolve itself. There are a lot of areas that need to be addressed. If we were perfect we wouldn't be the Church. I think it's the imperfections that allow people to trust that you're working (toward) something.
Tend to choose what is popular over what is right when they are in conflict. They desire to fit in both at church and outside of church; they care more about what people think of their actions (like church attendance and giving) than what God thinks of their hearts and lives.
It's all so verbal in the Protestant church. You've heard these words a million times before. Maybe people are leaving the church because they find the church has nothing that they're looking for.
The borderlanders are people who are kind of caught in the middle. They think there must be another world out there. There probably is a God, but they are either turned off by the church or wounded by the church or wary of the church for whatever reason.
I call this my church house trilogy. Souls' Chapel really was music from the Mississippi Delta, which to me is a church within itself. The Delta is the church of American Roots music. The Badlands is a cathedral without a top on it. And the Ryman has been called the Mother Church of Country Music, but to me it's the Mother Church of American Music. If you can think it up, it's been done there. In my mind, this is kind of a spiritual odyssey as much as anything else, and I had the settings of three churches to make it in.
I think a lot of artists get confused when people like their music; they think that means people know and like them. I'm sure there's an element of truth to that, but to me, the music I make is what I'm most proud of. I prefer to focus on that and for people to focus on the music, too.
A lot of people who are religious, I think they get lost. They go to church just to go to church.
I do not like a high-organized church. I think that as soon as the congregation reaches a level of one hundred or so people, it is time to build a new church. As soon as the congregation gets to the point where you are not on fairly intimate terms with every other person in that church, then you have become a theater where people can attend services. I do not think you can attend a church service. Service is not something which is there to be viewed as if it were a play or a movie.
I love the church. And the church is flawed. I think it's important that the issues of justice become important to the church. A lot of these churches don't necessarily take on justice because it affects dollars that come in. We need to start and assess the areas that we're in and not be so obsessed with becoming this big, huge church where everybody's pointing at one leader! We all should be pointing at Jesus, and if that's true we got to get to a place where the people become important to us. It kills me! It hurts me! Jesus has set the example. It's very clear!
I used to go to church when I was younger. My parents didn't go to church, but my friends all went to church and I loved going to church - I would go every Sunday with somebody. My parents used to think it was funny.
It's not necessarily a church theme and it's not really about church. I like my album themes to be metaphors because it gives me the freedom to speak about something else that's going on in my life, so the Born Sinner thing is not about church, it's not even about religion. It's using that as canvas to get other messages across and that's what the album will be.
My childhood was limited to mostly gospel music. We didn't have, like, a lot of records in our house, you know. It was like my grandparents who raised me. They were pretty old-fashioned in their religious ways, so it was like church, church, church, school, school, school.
Does the church have all kinds of problems? You bet, because it's made up of people like me, so I get that part too. But all I need to know about the church is that Jesus picked her.
I think in work like 'Passion According to St Luke,' which I wrote when the Church was being persecuted by the Communist regime, it mattered to me to declare for the cause. I sided with the militant Church and I think my music fulfilled an important socio-political function.
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