A Quote by Valerie Sayers
Woodrell's storytelling is as melodic, jangly and energetic as a good banjo riff.... Sammy Barlach's story is a tragedy, but the telling of it is a pleasure.
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Daniel Woodrell has made a name as a master of prose with personality - a densely descriptive, gamey form of storytelling, one might say traditional storytelling - of late rather an unfashionable mode.
When you're a storyteller, part of the process of storytelling is the kind of communion you form with the audience to whom you're telling your story. If some segment of the audience doesn't like that story, it doesn't feel good.
I think that people have to have a story. When you tell a story, most people are not good storytellers because they think it's about them. You have to make your story, whatever story it is you're telling, their story. So you have to get good at telling a story so they can identify themselves in your story.
Good history is good story-telling. And good story-telling demands empathy; it requires understanding different actors, differing motivations, competing goals.
I see all art as a complement to telling people's stories. I'm in the storytelling business. I believe that the humanity that all of us share is the stories of our lives, and everybody has a story. Your story is as important as the next person's story.
I love comedy. I love to make people laugh. (But) anything that's telling a good story makes me happy. So, I just like to be part of the storytelling process.
I play banjo, and in Britain, it's easy to get away with playing banjo because you don't often see it on U.K. stages. In America, people know when you're a good banjo player, so I was really nervous about playing out there. But we actually went down really well.
I personally knew and worked with Sammy Davis, Jr. Sammy hired me to open for him at Caesars Palace in Las Vegas when I was a 19-year-old standup comedian, and that's where my fascination with his incredible story began.
To me, art and storytelling serve primal, spiritual functions in my daily life. Whether I'm telling a bedtime story to my kids or trying to mount a movie or write a short story or a novel, I take it very seriously.
If you have a good riff with a vocal as well, then it becomes a devastating song. That's why people love riff-rock: it's the ultimate air guitar music.
Sorrow, terror, anguish, despair itself are often the chosen expressions of an approximation to the highest good. Our sympathy in tragic fiction depends on this principle; tragedy delights by affording a shadow of the pleasure which exists in pain. This is the source also of the melancholy which is inseparable from the sweetest melody. The pleasure that is in sorrow is sweeter than the pleasure of pleasure itself.
...the tragedy of consumerism: one acquires more and more things without taking the time to ever see and know them, and thus one never truly enjoys them. One has without truly having. The consumer is right-there is pleasure to be had in good things, a sacred and almost unspeakable pleasure, but the consumer wrongly thinks that one finds this pleasure by having more and more possessions instead of possessing them more truly through grateful contemplation. And here we are, living in an economy that perpetuates this tragedy.
And then Earl Scruggs comes along and transforms the banjo into a virtuosic modern instrument. For the first time, the Southern banjo style becomes the identity of the banjo, and everything from before is wiped off of people's consciousness by the power of that explosion.
I told my father I wanted to play the banjo, and so he saved the money and got ready to give me a banjo for my next birthday, and between that time and my birthday, I lost interest in the banjo and was playing guitar.
If you go back to early folk, it's all storytelling; that's exactly what it is: some guy telling a story in a pub to 50 people with a guitar, you know.
Sammy Sosa? Everybody knew who Sammy was, paid attention to Sammy. I had already signed in pro ball when he had the great homer year with Mark McGwire in '98. But I followed it, and I was proud of him because he was my countryman. There are a lot of great ballplayers from the Dominican, and he's one of the best.
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