A Quote by Van Day Truex

There is nothing more trite than a period room imposed on a contemporary setting. — © Van Day Truex
There is nothing more trite than a period room imposed on a contemporary setting.
Sweet lordie, there is nothing more fun than getting people in a room to talk about their relationships - in a setting that everyone knows is light and fun but also real.
Surely, nothing can be more plain or even more trite common sense than the proposition that innovation [...] is at the center of practically all the phenomena, difficulties, and problems of economic life in capitalist society.
There is perhaps, nothing more likely to disturb the tranquillity of nations, than their being bound to mutual contributions for any common object that does not yield an equal and coincident benefit. For it is an observation as true, as it is trite, that there is nothing men differ so readily about as the payment of money.
Personally, I prefer contemporary films, but the market calls for more period choices, especially since China opened up a cinema market in Hong Kong. There's a lot of restriction for contemporary films simply because of subject matter.
All great music is contemporary. If it's still alive and kicking, then it's contemporary. If it fades away, it was a period piece. It had its moment, and that was it.
I know I'm as comfortable doing period as I am contemporary. I suppose we grow up with it in a sense, in the theater. We get to put on costumes and play a lot of period dramas or plays so we're exposed to it a little bit more I think because of our theatrical background.
However, the difficulties and pleasures of the writing itself are similar for a novel with a historical setting and a novel with a contemporary setting, as far as I'm concerned.
Modern art to me is nothing more than the expression of contemporary aims of the age that we're living in.
In brief, worldbuilding is different than setting in my opinion. Setting is a room. A backdrop. It's scenery. But without good worldbuilding, you can't have realistic feeling scenery. You can't have cool, unique backdrops for your story.
There is hardly an aspect of contemporary history more irritating and mystifying than the fact that of all the great unsolved political questions of our century, it should have been this seemingly small and unimportant Jewish problem that had the dubious honor of setting the whole infernal machine in motion.
Vulgarism in language is the distinguishing characteristic of bad company, and a bad education. A man of fashion avoids nothing with more care than that. Proverbial expressions, and trite sayings, are the flowers of the rhetoric of vulgar man.
There's nothing I hate more than someone who speaks in the draft room with absolute conviction, but they have nothing to back it up.
The 60's has its own particular style and I think setting film in a period enables you to create your own reality that the audience can escape into and have fun, and in a way make it more real than it actually is.
All philosophers make the common mistake of taking contemporary man as their starting point and of trying, through an analysis of him, to[21] reach a conclusion. "Man" involuntarily presents himself to them as an aeterna veritas as a passive element in every hurly-burly, as a fixed standard of things. Yet everything uttered by the philosopher on the subject of man is, in the last resort, nothing more than a piece of testimony concerning man during a very limited period of time.
I remember a period where my publisher said to me, 'Look, your historical work is selling much better than your contemporary work, so please give us more historicals.'
Slipstream fiction is usually defined as fiction with a contemporary setting in which story elements are mimetic (that is, seem real) - except for one or two eerie strangenesses. Unlike outright fantasy, these are not explained or integrated into an alternate-reality setting.
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