A Quote by Van Heflin

Foreign films have helped me because I've become identified with international stars. — © Van Heflin
Foreign films have helped me because I've become identified with international stars.
I'm happy that my films were discovered by chance by foreign film festivals. That makes me realise more that there is a world outside Japan too. For me, it's an occasion to meet many people and to experience directly the response of international audiences to my films. But for me as a director, my attitude towards making films hasn't changed with the fame. I feel it's not good to change as a person anyway
Stars work because of familiarity. They fill theatres because audiences know who they are. There is a brand equity. But there are films strong enough to not need stars, or films that should not be made with stars at all, where only fresh faces will do. So I make the decisions accordingly.
My greatest influences in my sport have been two former number one English lady darts players, Deta Hedman and Mandy Solomons. Deta helped me at international events and both helped me to cope with the big occasion which gave me the confidence I needed to become a champion.
If you work with big stars, then they become the lead actors. It's not that I don't want to do films with big stars, but I would rather do the films where I get the title roles.
I've become a true Muslim. It's giving me happiness. It's made me become content as a man and helped me to grow. I've just got faith in it, and it has definitely helped me become the man I am today.
I'm not particularly interested in working with movie stars. It depends on where you come from, I suppose. Why are you making films? The reason I want make films is because they convey ideas. I think some directors make films because they want to hang out with movie stars and be part of Hollywood. They want to be a star themselves.
A lot of Europeans have done this, worked with American stars, and become identified over here.
Do you like foreign films?” “With subtitles?” “Yes.” “I hate those types of films.” “Me too,” Cliff says. “Mostly because - “ “No happy endings.
I write box notes for Kino International, which specializes in distributing foreign films.
If you have a career like mine, which is so identified with Hollywood, with big studios and stars, you wonder if maybe you shouldn't go off and do what the world thinks of as more personal films with lesser-known people. But I think I've fooled everybody. I've made personal films all along. I just made them in another form.
Looking back now, if I went to film school, it probably would have helped knowing what the best of the best of foreign films were, but that wasn't the case. In some ways, I think that led to my originality, because I hadn't seen anybody else.
We had to leave Australia to become international stars.
Reality TV has blown away the need for a roster of familiar faces in films. Plus, films became franchise and didn't need stars. But the real difference between stars and celebrities is that stars have training and talent, and celebrities just have exposure.
Films of stars as well non stars are working at the box office. People look out for content driven films.
I had Tommy John my first year in pro ball. Going through that rehab process, I think that's what really helped me become a better pitcher, because I was kind of new to it, and I think it helped me learn how to repeat my delivery. It was a crazy journey.
Tokyo is wonderful for distribution of international films, a lot of Iranian films, Taiwanese films. But most of the art films are from Europe and Asia.
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