A Quote by Van Heflin
Take these actors who adhere to a rigid schedule. They will say they are going to do two pictures a year or three or one. Now any actor who does that is in business, not in art.
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Mr. [John] Barrymore's smile was the smile of an actor who hates actors, and who knows that he is going to kill two or three before the play is over. I am not an actor-killer, but I like my Hamlets to dislike actors, if you know what I mean, and I think you don't.
God is omnipotent; God is wholly good; and yet evil exists. There seems to be some contradiction between these three propositions, so that if any two of them were true the third would be false. But at the same time all three are essential parts of most theological positions: the theologian it seems, at once must adhere and cannot consistently adhere to all three.
Any actor will tell you there's more of a schedule to doing a television show. That's why you'll notice a lot of big movie actors are doing television, and they'll tell you, it's because of the schedule
Any actor will tell you there's more of a schedule to doing a television show. That's why you'll notice a lot of big movie actors are doing television, and they'll tell you, it's because of the schedule.
When I got into the movie business, working with actors was the one thing I was really weak at. I didn't know what to say to actors. They scared me and intimidated me. The actors that I've worked with who have had a lot of experience, or who I've even grown up watching as a kid, were really scary. I was like, "What am I going to say to this person?" But, I've matured. It's fun. I understand what actors do now.
Fashion is not like the movie business, where you can have two great projects in a row and then say, "You know what? I'm going to take off eight months." What am I going to tell people? Wear last year's clothes?
You lay out a plan and - say a three-year plan or a two-year plan - and say, 'This is what we can do. We can do the transportation packages, like the highway bill and the water bill, and we can do some of these other areas - a farm bill - whatever it is, we lay out a schedule, and we put that committee to work to do that.'
My story about becoming an actor is a completely non-romantic one. I became an actor because my parents were actors, and it seemed like a very... I knew I was going to act all my life, but I didn't know that I was going to be a professional actor. I thought I was just going to work as an actor every now and then.
The only thing I would advise young actors to do is prepare for the amount of adversity that you're going to come in contact with by choosing to be an actor because before you actually "made it" or get the skills, people are all not going to take you seriously, and many people will try to discourage you from it. Don't take any of their advice. Do it, and do it and do it. Remember the compliments. Forget the insults.
I haven't any formal schedule, but I love to write in the morning, before breakfast. Sometimes the writing goes so smoothly that I don't take a break for many hours - and consequently have breakfast at two or three in the afternoon on good days.
I'm not going to entertain something that took place not three months, not six months, not a year but two years ago. I'm not going to sit up here and say anything about it, whether I did or did not do it, because I don't want to beat a dead horse talking about it. It's not going to affect me any way, shape or fashion.
What I'd tell any kid in high school is, 'Take business classes.' I don't care what else you're gonna do; if you're gonna do art or anything, take business classes. You can say, 'Well, I don't want to get commercial,' but if you do anything to make any money, you're doing something commercial.
If people ask me for the ingredients of success, I say one is talent, two is stubbornness or determination, and third is sheer luck. You have to have two out of the three. Any two will probably do.
They're going to come to me and they're going to say numbers for three years and I'm going to use my division and if it sounds good when I hear it, then I'll take it. But I'm not going to say I'll take less (than the max) . . . Put it this way. I won't take a BMW from somebody when I know I can get a Maybach from somewhere else.
Now, after the communist take-over in 1948, the amount of feature films produced dwindled to three a year, while the school was, you know, every year another three, four, five students.
I can say that hands down from being in this business 32 years; we're going to be much better than we were last year just because there's eight new players that now have experience and Palacios will be healthy.
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