A Quote by Van Heflin

I started out in Hollywood and I owe a certain amount of loyalty to both the American movie industry and this country. — © Van Heflin
I started out in Hollywood and I owe a certain amount of loyalty to both the American movie industry and this country.
There is a certain amount of racist behaviour, a certain amount of this mindset, in the darker recesses of every community. It needs to be called what it is, which is vile and hateful. It's starting a national conversation, which is probably long overdue. Because we do, as a country, have an awkward problem with a certain amount of racism in the hearts of I believe a small number of people, but I still believe we have to chase it out.
Hollywood, they make up these Latinos because they have a certain physical type or a certain name or whatever... It's not that easy. It's like me wanting to do a movie with an American actor, and I say, 'Hey listen, I have either Johnny Depp or Carrot Top.'
Working with David Cronenberg or Darren Aronofsky or even Steven Soderbergh isn't really like a typical Hollywood movie. These are true artists, and have a certain amount of freedom when they work, and they're more like independent filmmakers making their way through big studios. I still don't feel like I've been part of the stereotypical Hollywood system.
If loyalty is, and always has been, perceived as obsolete, why do we continue to praise it? Because loyalty is essential to the most basic things that make life livable. Without loyalty there can be no love. Without loyalty there can be no family. Without loyalty there can be no friendship. Without loyalty there can be no commitment to community or country. And without those things, there can be no society.
It is important to have a woman editor. Movie is an industry where it is predominantly women. Male editors might cut out pauses that are interesting, while a woman might not be afraid of that pause. Trying to do a movie with an editor who is not funny is impossible. There are certain talents that go with certain genders.
I've always wanted to do a movie, and I really feel the urge to do it.I'm in Hollywood - I have no business not being in the movie industry.
Anytime a movie or television show retreats into certain American pasts, I'm both annoyed and relieved.
But this is predicated upon the man's becoming in very fact an American and nothing but an American. If he tries to keep segregated with men of his own origin and separated from the rest of America, then he isn't doing his part as an American. There can be no divided allegiance here. . . We have room for but one language here, and that is the English language, for we intend to see that the crucible turns our people out as Americans, of American nationality, and not as dwellers in a polyglot boarding-house; and we have room for but one soul loyalty, and that is loyalty to the American people.
A lot of people ask me, if I aspire to do films in Hollywood. If I get a chance, I would love to. But I feel that I owe it to my upbringing and the cinema I grew up on, to achieve something first in our film industry, and then venture out.
There was a time when the FCC tried to require a certain amount of television and media to be educational, a certain amount to be newsworthy and a certain amount of it to be public access.
A beautiful deleveraging balances the three options. In other words, there is a certain amount of austerity, there is a certain amount of debt restructuring, and there is a certain amount of printing of money. When done in the right mix, it isn't dramatic.
Truth-telling to Congress and the public is not disloyal in America: it is an expression of the higher loyalty officials owe to the Constitution, the rule of law, and the sovereign public. It is a courageous, patriotic, and effective way to serve our country. The time to speak out is now.
Strictly speaking, no activity and no industry is possible without a certain amount of violence, no matter how little. Even the very process of living is impossible without a certain amount of violence. What we have to do is to minimize it to the greatest extent possible.
I'm surprised at the loyalty of the country music fan. People that started out with us at 'Prayin' for Daylight' still come to multiple shows a year.
I think loyalty to the country, loyalty to the United States is important. I mean it depends on how you define loyalty.
Working with David Cronenberg or Darren Aronofsky or even Steven Soderbergh isn't really like a typical Hollywood movie. These are true artists, and have a certain amount of freedom when they work, and they're more like independent filmmakers making their way through big studios.
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