A Quote by Van Jones

The problem that we have in America now is, some people only see the positive stuff and wave off the toxic stuff, and some people only see the toxic stuff and wave off the positive stuff. You can't have an honest conversation.
If you just say that, look at all the good stuff and you don't acknowledge the toxic stuff, you're wrong. If you're only looking at toxic stuff and don't recognize there's going to be some good stuff if you're for infrastructure or whatever, you're wrong.
The Trump phenomenon has a lot of really good stuff in it, the anti-elitism, the concern for America's economy in the Rust Belt, the desire to see better days for the country. That's all great stuff. Some of that stuff is Bernie Sanders stuff. The problem is that it's marbled through with xenophobia and misogyny and bigotry.
There's only so much stuff you can buy. I have to retail the stuff. Stuff that's really really weird - it's cool, but who are you going to sell it to? I do collect some stuff. In the end, I have to run a business.
I've done some really off-the-wall stuff and stuff that people might not expect. That's one way to work through people's expectations of you.
You're really spread out now, you've got stuff all over the WORLD! You've got stuff at home, stuff in storage, stuff in Honolulu, stuff in Maui, stuff in your pockets...supply lines are getting longer and harder to maintain.
I'd like to do some crazy art installations and design some weird synthesizers and work with other people and make some fun stuff for a bit. Maybe tap into virtual reality stuff or maybe write another record... We'll see.
I'm usually the last to see my influence in other people's work. People give me stuff and say "Oh look, this guy's ripping you off," and I'm like "What do you mean?" Often I see the people that I've ripped off filtered into my own work. In other people's work, I can only see specific, tiny little instances of inflections stolen from another artist.
For a long time, I thought when you do a box set, you're giving up; you're saying, 'OK, I don't have anything left.' But now I've listened to some of the old stuff I haven't heard in 20 to 40 years with fresh ears. It's like, 'Oh yeah, I can see where people might want to to hear some of this stuff that didn't make it onto the records.'
I like to connect with fans, usually positive stuff. If there is negative stuff, you just look past it and talk to the people that appreciate you.
It's not about the stuff. The issue is how we use that stuff and how do we train people to use that stuff. Do we use that stuff to confront people who are protesting in a community? Do we use a sniper rifle to see closer in a crowd? That's where it breaks down.
Some people are a little bit afraid about the future because they see all these gadgets and gizmos coming down the pike and they think they're too old to learn all this new stuff. But eventually they begin to realize, 'Hey, some of this stuff is useful.'
I was young, but to me that was underground music. I had never heard anything like Venom or any of that stuff growing up in Louisville. That was sort of the only weird records I could find. All that stuff would be in the import section. And sometimes there would be some sort of goth type of stuff. But that was the stuff I was attracted to.
In every show that you see, there's some stuff that's funny and some stuff that is not, or there might be stuff that you find funny and I don't. That would be true for any show, however funny or popular.
We have to accept that some very toxic stuff was marbled into the Trump phenomenon.
Artists thrive off each other, and when you see other people doing cool stuff, it inspires you to do cool stuff.
My stuff is my stuff. Sometimes it's not as successful as some of the other stuff. But it's my stuff.
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