A Quote by Van Morrison
I haven't really heard much that's impressed me the way it was when I first heard Ray Charles or somebody like that. That was really an impression.
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I remember where I was when I heard Yngwie Malmsteen for the first time. It was such an epiphany for me, and it really shaped the way I play today. I think I heard him in '83, if I'm not mistaken - I was 13 years old - and it really was amazing for me.
My first impression when I heard 'Heaven' was, 'Do not let anyone else have that song! I'm putting it on hold.' I knew it was special from the first time I heard it, and I thought my fans would love it as much as I did.
Really the greatest music I've ever heard I've hated the first time I heard it. It's been abrasive at first; it's been something that challenged me in a way that I wasn't fully comfortable with.
The reason I wanted to become an organ player was because I heard Ray Charles play on Quincy Jones' arrangement of "One Mint Julep." I heard that sound, and it just struck me. I thought that's what I want to do with my life. That's the sound I want to try to make.
It really really sunk into me when I went to Europe and they take rap so much more serious than we do here. That was the first time I ever heard rap considered folk music. And sometimes somebody will make you understand like, "Hey, what you doin' is serious, don't play it lightly 'cause it's changin' my life."
When I first heard Ray Charles, he was a flop artist on a small label in California. He hadn't sold any records. And I bought his contract for $2,500.
One day I heard Ray Charles on the radio and I found out he was blind. I thought, 'You know what, if there's room for Ray, there might be room for Jose.'
The first time I heard Johnny play at the Fillmore East, I wasn't really impressed. He had come on the scene with everybody telling me how great he was, and I didn't hear it.
Ray Charles, in his own way, it's like at the beginning, Ray Charles changed American music, not once but twice.
If somebody says, 'Do you remember the first time you heard a Rolling Stones song?' if you say you do, you're crazy. You've just always heard them. You might remember the first time it impacted you, but the first time you heard one, you were in a cradle.
I'll always remember when I first heard Lester [Young]. I'd never heard anyone like him before. He was a stylist with a different sound. A sound I'd never heard before or since. To be honest with you, I didn't much like it at first.
I didn't even respect singers until I heard Ray Charles, Frank Sinatra and Louis Armstrong.
I'm still trying to re-create a Ray Charles concert that I heard when I was fifteen years old, and all my nerve endings were fried and transformed, and electricity shot through me.
I am asexual. A-sexual. I read somewhere, maybe on Facebook, where somebody said something like, "I heard Bradford was gay, but then I heard he was bi." Then somebody wrote, "No, I heard he was asexual." And then somebody said, "That's bullshit - he totally hit on my friend after a show."
I just want [my daughter Isabelle] to know that she's heard. Really heard, because I feel like that is what we all really want. When I think about any of the missteps in my life that I've made, all of which I'm grateful for, it's because I just so wanted to be truly seen and heard for who I am and was afraid I wasn't or wouldn't be. I see you, I hear you, I'm with you as you are.
I really do prioritise humour in people. It's a sign of intelligence. One of the most important things I heard that moulded me was Derek and Clive. That sense of release when I heard them for the first time, crying and laughing, was akin to seeing Sonic Youth for the first time.
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