A Quote by Van Morrison

The Eternal Kansas City song came from a dream sequence. It was actually kind of weird. I had this dream about a Kansas City type of thing while I was up at Stevie Winwood's place near Cheltenham, in Britain. I went into this small town and I was walking along and this dream thing was still in my head.
I talked with Quentin about where the character came from, and he told me Kansas City. I don't know how somebody talks from Kansas City, so I made him from New York.
People's outlook on Kansas City is always like, 'They let you rap in K.C.?' Or 'How's Dorothy and Toto?' They put Kansas and Kansas City together, when it's really separate.
I grew up in Kansas City from when I was about two years old to my mid-teens. Kansas City at the time was an amazing place, because there was so much music going on there. As a kid, I was playing there all the time and learning a lot about music.
The first professional training I received of any kind was when I was 14 years old and we were in Kansas City, Missouri. I attended the Kansas City Art Institute for one summer.
And Kansas City is at Chicago tonight, or is it Chicago at Kansas City? Well, no matter as Kansas City leads in the eighth 4 to 4.
Kansas City, I would say, did more for jazz music, black music, than any other influence at all. Almost all their joints that they had there, they used black bands. Most musicians who amounted to anything, they would flock to Kansas City because that's the place where jobs were plentiful.
When I got interested in football, nobody was cheering for Kansas City. Kansas City was trash. I said, 'That's my team.' Then what happens? We get Joe Montana and Marcus Allen.
I was in Kansas for about a month, and we worked most of the time in a very small town, so it felt like the production basically took the whole town over. In a way, we were the Martians in Kansas.
Coming from a small town it was tough to dream big. When I grew up in a small town in Georgia, my biggest dream was one day to be able to go to Atlanta.
The thing about a story is that you dream it as you tell it, hoping that others might then dream along with you, and in this way memory and imagination and language combine to make spirits in the head. There is the illusion of aliveness.
The Kansas City VA is an essential resource for thousands of veterans across Kansas and Missouri, and it should be a place where they can receive medical care and services without fear of discrimination.
It is still the arena of those who dream of the City of Man and those who envision a City of Things. The battle appears to be forever joined. The armies, ignorant and enlightened, clash by day as well as night. Chicago is America's dream, writ large. And flamboyantly.
I have a special feeling for Blue Hills CC, where I won perhaps the most important tournament of my life when I was 14 - the Kansas City Match Play Championship. It gave me a dream of becoming a professional golfer.
Any kid that feels like they don't have any kind of future, whether they're on a street corner in Harlem or in a little town in Kansas where nothing happens, it's all out there for them. They can do whatever they dream or wish or see on television, or read about in the papers.
This is the city of dreamers and time and again it's the place where the greatest dream of all, the American dream, has been tested and has triumphed.
The thing that has led me to the place that I am is that every moment in my life, I've been following my dream: following my dream to go to the University of Toronto, following my dream to get my Ph.D., following my dream to work in Hollywood.
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