A Quote by Van Morrison

[You Got To Make It Through The World] it's kind of a survival song. Survival is what's happening and it's basically a song about that. — © Van Morrison
[You Got To Make It Through The World] it's kind of a survival song. Survival is what's happening and it's basically a song about that.
Traditional folk music is about survival of the fittest song just like evolution is about survival of the fittest organism and generally the more times a song has been passed down the generations the more brilliant and concise it becomes as every link in that chain can add something good or remove something unnecessary.
To me, poetry is about survival first of all. Survival of the individual self, survival of the emotional life.
Poetry, song, stories, art, our reverence for nature, are key to our survival as a species, and to the survival of all species, I believe. You can't always extract such emphatic hunches and activist stances from a scientific maxim or mathematical axiom.
I'm one of those people that I make a song... then I write another song and then I'm like, 'But this song is so much better than this song,' and then I kind of ditch that song. It's a long process.
All my work, my life, everything I do is about survival, not just bare, awful, plodding survival, but survival with grace and faith. While one may encounter many defeats, one must not be defeated.
The interesting thing about a song like 'Bulletproof Heart' - it was [originally] called 'Trans Am' - the interesting thing about the amalgamation of that song was that the song also lived within us, like we all got to live with the song and it was around for about a year before we recorded it again, so the song got to really transform, which you don't really get to do.
The best part of success is that it got me past the basic survival level of existence so that I was comfortable. I didn't have to worry about stuff pertaining to survival. Once that was taken care of, I got the chance sit down and create and work at what I do.
You could write a song about some kind of emotional problem you are having, but it would not be a good song, in my eyes, until it went through a period of sensitivity to a moment of clarity. Without that moment of clarity to contribute to the song, it's just complaining.
I love the song 'El Rey.' And for years, I never knew what the song was totally about. It was something new for me. I'd never sung a song in Spanish before. Then I got the translation and saw what a really cool song it was.
I think we're probably more unified than ever before because we're in a battle for survival. Not only for survival as the Republican Party, but survival of the check and balance system in our government.
When I went travelling around Europe there was the Eurovision song contest on, and I got a bit dunk and we missed our train to Budapest the next day. Anyway, when I got back I kind of realised how many songs there were about people giving up things for somebody, so I thought I'd make a song about giving up things I don't have. These elaborate things that I don't have that I could give up to somebody, and I kind of thought there was kind of some sweet sentiment in that.
When I'm filming, survival requires movement. You need your energy, and you've got to eat the bad stuff, and survival food is rarely pretty, but you kind of do it. I get in that zone, and I eat the nasty stuff, but I'm not like that when I'm back home.
A song like 'Heartbreaker,' it's a song about learning - it's not necessarily a song about heartbreak. It's more than that. We write those songs to relive how we got over something.
What I like about music is that you make a song, you've got your ideas in it, and people make that song part of their life - they hang out with their friends to it, they get in arguments to it, they get married to it, they get divorced to it. It's in their world, and it takes on its own life.
An audience will let you know if a song communicates. If you see them kind of falling asleep during the song, or if they clap at the end of a song, then they're telling you something about the song. But you can have a good song that doesn't communicate. Perhaps that isn't a song that you can sing to people; perhaps that's a song that you sing to yourself. And some songs are maybe for a small audience, and some songs are for a wide audience. But the audience will let you know pretty quickly.
You kind of have to become a song so to speak and we wanted to make sure that Tom did them with the best abilities he had and captured all that what the song is all about.
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