A Quote by Van Morrison
Joyous Sound evolved from a gospel influence. Actually it evolved out of sitting at a piano and just picking out a riff, a gospel type riff. It just seemed to come joyously-something about the song, about living in another place of joyous sounds. I'm not quite sure-that's one I'm trying to analyze. It just came out.
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It was really different this time, because we did everything in the studio and thought out the writing and song structures. Before this album ["The Black Crown"], we used to just write riff after riff and then worry about the rest of it later.
I was working with D'Mile - he's amazing! And I don't know, it was like that guitar riff was so crazy to me, and so I think I was frustrated about something that happened earlier and I feel like I'm just a good guy, I don't cut people off, I don't really call people out when they do stuff that they should be called out on, and I'm just always the one being the bigger person. So, that day "Gangster" just came out. That's just how I feel in that day to day life.
When I write a song, it's all about the riff - the riff first, then the words come later.
Once you start to analyze it [Joyous Sound], you've completely lost it. That one just came.
I believe that gospel is more than just a sound, it's a way of life. I don't really have any shame to talk about spirituality in my music. A lot of your favorite soul songs started out in gospel.
I came to work one day, and Ricky was playing music on his guitar, just snickering. He played me the riff that turned out to be 'Rock Lobster,' and it was hilarious. He was just trying to be funny. His guitar style made it moodier, and it really is a driving song, but it does have that funny humor to it.
I wrote a show - just as a joke, actually - and called it 'Bipolar, Bath, & Beyond,' just to bring some humor to it. I wasn't saying to myself that I'll 'come out' with it - I didn't think there was anything to 'come out' with - I was just writing another one-woman show about my life.
I always have my setlist planned out, but the best moments are when the energy of the crowd just gets your mind working and you are able to come up with new tags for jokes and just riff off things in the room.
One day, I was just fingering around on the keys of a Fender Rhodes piano, and I came up with this little riff, and all of a sudden, it morphed into a song. It had never been touched by a guitar, which was very weird for us. 'Under the Ground' is the first song I have ever written that had nothing to do with the guitar.
Urban is not actually my world. It was me trying something out, basically. I come from a gospel background.
I'd listen to a song and say, 'Hang on, I like that piano thing,' so I'd play the guitar like that and get the vibe from it, and it just evolved from the get-go. It was pretty obvious what to do; You don't think about rock n' roll: you just do it.
The whole Beatle thing was just beyond comprehension. When 'Help' came out, I was actually crying out for help. Most people think it's just a fast rock 'n roll song. I didn't realize it at the time; I just wrote the song because I was commissioned to write it for the movie. But later, I knew I really was crying out for help.
You can have the best riff in the world, but if the drums behind it just ain't vibing it, it's not gonna be the greatest riff, right? So you've gotta have someone there that can really bring that to life.
One of my biggest thrills for me still is sitting down with a guitar or a piano and just out of nowhere trying to make a song happen.
I think our particular sound has come by just not adhering to any specific sound. For us, it's about the song, and being able to fit in to what is appropriate. When we sit down, we're not talking about what type of band we're gonna be within a specific genre - there's a uniqueness to all of us individually that throws putting anything in a box out the window.
No one's ever really cared about me being bisexual, and I only came out because I had always been out; it's just the general public didn't know. I'm quite fearless. I'm like, 'Let's just go out there and do this and see what happens.'
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