I wrote a couple of songs that had gypsy references in them. The only reason it happened was because that's what was coming through and I liked the idea at that period of time. But that doesn't mean that it's a myth or that I'm a gypsy. It's gotten totally out of context.
For some of us, the Gypsy years can go on forever ... That isn't such a bad thing. When all is said and done, they're a lot of fun. The truth is, I liked being a Gypsy. It's who I was. And it's still a lot of who I am. Gypsy, it's a good word.
It's not often that the idea of continuing something for a potentially long period of time sounds exciting to me, because I really am a gypsy by nature.
It is very important that people understand how important flamenco is to the Gypsy community. There have been some amazing Gypsy artists. It's important that we give visibility to that, but at the same time people have to be fair and recognise that Paco de Lucia was the biggest guitar player in this style of music in the world and he wasn't Gypsy.
This speaker reminds me of my childhood in Budapest. There were gypsy magicians who came to town to entertain us children. But as I recollect, there was one important difference: the gypsy only seemed to violate the laws of nature, he never really violated them!
I spent three years researching American Rose, research that included connecting with Gypsy's sister, the late actress June Havoc (I was the last person to interview her) and Gypsy's son, and also spending countless hours immersed in Gypsy's expansive archives at the New York Public Library. I became obsessed with figuring out the person behind the persona.
Gypsy [Rose Lee ] was a masterful storyteller, and her memoir and by extension, the musical weren't only Gypsy's monument; they were also her chance for monumental revisionism.
My father's family can be traced back to 1400. I've been told by gypsies that there is unmistakeably gypsy blood in me. Lee is a gypsy name, you know.
One of the biggest questions to me was whether or not Gypsy the person was capable of loving anyone or anything beyond Gypsy Rose Lee the creation, and even that was a conflicted, tortured relationship.
The Gypsy Heart tour is a dream come true. Not only because of all the beautiful cities I will get to visit, but all of the beautiful people I will get to meet. Gypsy Heart is not just a tour for me, but a mission to spread love.
The first time I encountered Stephen Sondheim was like everyone else: through snatches of old songs people performed in drama school, through 'Send in the Clowns,' which everyone knew. I wasn't aware at the time that he was the writing force behind 'West Side Story' and 'Gypsy.'
The white moth to the closing vine,
The bee to the open clover,
And the Gypsy blood to the Gypsy blood
Ever the wide world over.
Her sister [June Havoc] said the musical portrayed who Gypsy [Rose Lee] wanted to be before the burlesque thing happened she wanted to be this beautiful, romantic person with dreams. So Gypsy told the story of her life as she wished she'd lived it: embellishing, softening the edges, eliminating certain things altogether.
There's only one reason why you write new songs: You get sick of the old songs. It's not that I didn't do anything during the time when I wrote no songs. I was creative, but in another way. I had ideas for songs and collected the ideas.
Oh sure, the songs have all totally evolved. I mean, when you're playing the same songs night in night out, they take on a life of their own. I can't even remember what I wrote some of them about now!
I wanted to become an actor because I wanted to become a gypsy. I wanted to live the gypsy life!
(Actually now I’m remembering that the goodbye chow isn’t spelled that way. It’s ciao or something weird like that. It’s Italian, right? But I’m not an Italian gypsy, I’m a hungry gypsy. So spelling it chow makes total sense.)