A Quote by Van Morrison
I think when you get past your second album, it all becomes something of a routine. So you have to struggle against that, find a way of making what you do sound fresh and new each time.
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There's a paradox in the notion that creativity should be a habit. We think of creativity as a way of keeping everything fresh and new, while habit implies routine and repetition. That paradox intrigues me because it occupies the place where creativity and skill rub up against each other.
I think it is important to grow. Your fans are growing up with you whether you like it or not. You have to keep it fresh and exciting for them. You have to bring something new to the table each time.
[David] Bowie had a genius for continual change himself, reinventing his sound and his image throughout the decades. Each album seemed to find Bowie in a different persona, with a new sound to match his new look.
It's weird doing a show on a Saturday, because we get the news after everybody had their way with it. We still have to find a way to get something fresh out of the story, but also keep the integrity of it. A lot of times the obvious take is so obvious it's already been on Twitter, so we gotta find a new thing.
Do not allow past experiences to be imprinted on your mind. Perform asana each time with a fresh mind and with a fresh approach.
Sampling is a new way of doing something that’s been with us for a long time […] The mix breaks free from the old associations. New contexts form from old. The script gets flipped. The languages evolve and learn to speak in new forms, new thoughts. The sound of thought becomes legible again at the edge of the new meanings.
Do not allow past experiences to be imprinted on your mind. Perform asanas each time with a fresh mind and with a fresh approach. If you are repeating what you did before, you are living in the memory, so you are living in the past. That means you don't want to proceed beyond the experience of the past. Retaining that memory is saying, 'Yesterday I did it like that.' When I ask, 'Is there anything new from what I did yesterday?' then there is progress. Am I going forward or am I going backward? Then you understand how to create dynamism in a static asana.
Just sitting in a steam room, you can't breathe. When you're doing Hindu squats in one and you get past 100, your whole body feels numb and you keep going. You start to find your limits and push your body past those limits, making new ones.
I'm definitely seeing more and more new people at shows, which is exciting. It's nice for me, because it's a fresh start. I don't feel as obligated to play old favorite songs - it feels like I'm free to try new things because I'm meeting people for the first time. But there's a lot of people who are showing up and they know all the words to the first album and they're requesting songs from the second album.
The most difficult part, when you decide to make running a part of your life style, is the basic initial commitment. Everybody says, 'I don't have the time.' It's up to you to say, 'I do have the time.' For me, beginning to run when I was a student was an ideal situation. However, I've also trained as much as 130 miles per week during periods when I worked a full-time job. It ultimately becomes second nature. It becomes a habit, a routine part of your daily life
The focus of my playing is the groove, and every time I find a new rhythm, I find I can write a bunch of new songs. Learning how to dance, or drum, or to swing my body in a new way is the fundamental way I find a new riff. Because when you learn to swing your body in a new way, you begin to swing with your instrument differently.
It struck me then how much the past - not just the past but history and family - was like the ocean tide. It was always the same ocean, but the waves made it fresh and new each time.
I have to go into the studio to make my second album knowing I'm making an album. When I first started making songs I didn't have an album in mind, that's why a lot of them I like - I'm talking about how I haven't got a deal, how I'm living, you can never really top the first time, but we'll see how it goes.
Probably my favorite piece of music, as an album taken as a whole, is Bruce Springsteen's 'Greetings from Asbury Park.' I just think it's incredibly pure. It's a sound that sort of broke new ground, and I think it paved the way for a hundred people that sound very similar.
I try never to focus on the radio, just find great songs, find emotion and just write the best songs you can. I think when you get fixated on trying to do something too accurate, it becomes more washed out and less what you intended it to be. So I think each time the challenge for me is to try and reinvent a little bit.
I think, for every artist, the second album is the most terrifying one to put out because it can either boost your career, and everybody can't wait until your third album, or the second one is terrible, and 'He probably hit a plateau on his first one.'
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