A Quote by Vance Joy
I'd be dong something creative - something I could express my personality through. I enjoyed working as a gardener before music consumed more of my time. I would probably be still working as a gardener, perhaps, and I wouldn't mind doing odd jobs on the side that were creative, but I'm not sure what they'd be.
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When I'm not working out, it's important to me to express the creative, girly side of my personality.
My parents were both writers - they would type their manuscripts sitting side by side on the veranda of our house near Watford - so I wanted to do something different. I wanted to be a bluegrass singer, an architect, a landscape gardener, or to do something with animals.
Still, no gardener would be a gardener if he did not live in hope.
It doesn't matter what you do, he said, so long as you change something from the way it was before you touched it into something that's like you after you take your hands away. The difference between the man who just cuts lawns and a real gardener is in the touching, he said. The lawn-cutter might just as well not have been there at all; the gardener will be there a lifetime.
The farmer and the gardener are both busy, the gardener perhaps the more excitable of the two, for he is more of the amateur, concerned with the creation of beauty rather than with the providing of food. Gardening is a luxury occupation; an ornament, not a necessity, of life.
I'd say that that is a challenge, but it also is, again, it's helpful. It's helpful to have the discipline of, okay, I'm doing, I'm doing something that's quite precise over here, working the puppet, and I'm doing something that's very imprecise and creative and unleashed over here, which is the comedy side. And it's kind of nice to allow your brain to be doing those two things at once.
I was a very creative child. I played the saxophone and piano, and I was always writing poetry and stories, or drawing in my notebook. I just tried to express myself through as many creative outlets as possible. And in high school, I started to get really into photography and videography and would spend hours working on it.
My favorite thing about acting is being alone and going through the scripts and working on it and getting ideas and asking myself questions, looking outside myself for them and researching and getting to the bottom of something and being creative with it as an actor and how to express it in a creative fashion. That's my favorite part. And, the actual acting of it.
I think the true gardener is a lover of his flowers, not a critic of them. I think the true gardener is the reverent servant of Nature, not her truculent, wife-beating master. I think the true gardener, the older he grows, should more and more develop a humble, grateful and uncertain spirit.
What made me want to go into doing comics was I was working as a laborer with my father, a gardener.
There were times when I was working three jobs at one time, and I was still auditioning just to make ends meet, and I was hoping that something was going to come through. Especially after you have two degrees, standing solid through the process is sometimes the hardest part because there is no guarantee.
The early years of Hanna-Barbera were more fun than the later ones. I was working more in the creative areas of timing and direction then. But as the studio grew, I became more involved in administration and got away from the creative aspects.
I do think it's smart to see a marriage as "a garden and a gardener who constantly swap roles." You really have to switch from one to another. Being the gardener would be the more active role in the situation. Being a garden would be more passive. You've got to be both the one who gets help and the one that's helping. That's the circulation in a couple. You should switch from one position to another. I think it's good to be always aware that love can fade. There's something I really like about that sentence. It's as if love should be seen as work...because it is.
When I was working in my first job engineering construction, what I liked the most was working with architects and making buildings that had this creative side coming from the architect and that were making them a big success.
I think anybody who's working in a creative medium is working partially with their conscious mind, partially with their unconscious mind. So, my unconscious mind may be a little more distorted and violent than I am aware of.
I've made an odd discovery. Every time I talk to a savant I feel quite sure that happiness is no longer a possibility. Yet when I talk with my gardener, I'm convinced of the opposite.
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