A Quote by Vance Joy
Ralph Fiennes and Edward Norton are among my favorite actors.
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I was quite intimidated by Ralph Fiennes. I didn't really talk to him while I was doing Harry Potter and the Goblet of Fire and the only thing I did with him was when he stepped on my head. Then I went to this play and he was there. And this girl said, “you've worked with Ralph Fiennes haven't you, Robert?” and I was like, “well, no...” and Ralph said, “yes, I stepped on your head.” And that was the extent of our conversation.
Ralph Fiennes was a big hero of mine acting-wise growing up and while I was training. I just find him so watchable. He was playing this very intimidating character when we worked together and it certainly felt like he was in character off set as well! He was very cool. Before a scene, he'd be like, "Come on. Let's improvise. Let's just do stuff." But Jesus Christ. He's Ralph Fiennes!
I'm sure if you dig deep, Joe and Ralph Fiennes do it because they want to be noticed.
Remarkably, there's no green screen in 'Leaves of Grass' movie. There is motion control. Technically, there were all sorts of challenges, but really the soul of it is Edward Norton talent. You write these characters when you write a movie, and all you can hope for or depend on is that your actors will elevate the material.
It was lucky that Ralph [Fiennes] is someone who understands both film and theater and we were able to understand that scene so well before we took it to the set.
I was nervous. I was thinking, 'Gee, he's Ralph Fiennes. What an amazing actor, and I can have this scene with him.' But I enjoyed it, you know. That's what I got into acting to do - to push myself and see if I can do these things.
With Edward Norton you'd never say, "This is the one we're going with whether you like it or not." It has to be agreed upon.
Look at someone like Edward Norton. A truly phenomenal actor. He's definitely went to school and trained.
I enjoy watching Daniel Day Lewis, Jude Law, Edward Norton, Kevin Spacey.
I really enjoyed it - being involved in watching rushes and playback [in "The Invisible Woman"]. Ralph [Fiennes] was very open to my input, I think knowing that he couldn't always be there 100 percent, that he had dual aims with directing and acting.
I think Ralph Fiennes has had a really wonderful career; there's something sort of classic about him. He does a bunch of different projects, but he approaches the work from a very sort of artful way.
I thought Norton-Taylor sounded more interesting than Norton alone. Anyway, people were constantly getting my name wrong when I was Judy Norton. People called me Morton and Martin and other variations.
Is the fire gone?" "Yes," I sighed. "Thank you, Edward." "I love you," he answered. "I know," I breathed, so tired. I heard my favorite sound in the world: Edward's quiet laugh, weak with relief.
Edward Norton and I have known each other awhile. I just think he's the real deal, supremely talented and smart. He's got a great sense of humor.
I tensed for the spring, my eyes squinting as I cringed away, and the sound of Edward's furious roar echoed distantly in the back of my head. His name burst through all the walls I'd built to contain it. Edward, Edward, Edward. I was going to die. It shouldn't matter if I thought of him now. Edward, I love you.
David Benioff can hardly be classified as an underdog. The 2002 film adaptation of his first novel, 'The 25th Hour,' was directed by Spike Lee and starred Edward Norton.
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