A Quote by Vance Packard
New pressures are causing ever more people to find their main satisfaction in their consumptive role rather than in their productive role. And these pressures are bringing forward such traits as pleasure-mindedness, self-indulgence, materialism, and passivity as conspicuous elements of the American character.
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For me as an actor, I find it's most creative when I'm bringing myself into the role rather than putting the role on. I feel like it's more of a cathartic experience.
I'm looking forward to the time they describe me as the former president. And, of course, there are pressures from my own party and other Sudanese parties also, and I succumb to those pressures, but I hope as soon as possible I can find an exit out of this.
The pressures, I don't really like to think about the pressures, I like to solve them, you know what I mean. I could sit here and complain about pressures but nobody wants to hear about pressures.
The sense that materialism has gotten out of hand is magnified by the pressures facing middle-class American families.
One of the things you learn as president is, as powerful as this office is, you have limited bandwidth. And the time goes by really quickly and you're constantly making choices, and there are pressures on you from all different directions - pressures on your attention, not just pressures from different constituencies. And so you have to be pretty focused about where can you have the biggest, quickest impact.
When I commit to a role, I always tell myself that role is king. That's the Bible. If I start to judge my character, than it's going to influence my performance, and I don't want that. I want to find the truth in the character.
In our age, self-indulgence and self-destruction, rather than self-sacrifice, are the foundations for new heroic myths.
One term that's used in this industry a lot is this notion of 'feeding the beast.' You've got all of these people whose livelihoods are dependent on it. There are enormous pressures to keep material going into it, and the pressures to feed it are not irrational. They're the basis of your business.
The pressures to get the story first, if wrong, are greater sometimes than the pressures to get the story right, if late.
Certain peer pressures encourage little fingers to learn how to hold a football instead of a crayon. I confess to having yielded to these pressures.
In the EU, we agree that the pressures causing migration must be reduced.
For the future, I shall rely only upon those elements of my character which I have tested. Who would ever have said that I should find pleasure in shedding tears? That I should love the man who proves to me that I am nothing more than a fool?
People who have committed to a service/advocacy role will tell you that some of the sublimest pleasure they have ever experienced comes in the context of that work. You get way more than you give.
In a movie, a book, or a play, a character doesn't live in a vacuum. She is subject to pressures from the world outside of her, just like we are in life. These pressures and circumstances shape character. Who your parents are determines your genetic make up: your skin color, your sex, your height, weight. Where you are raised does affect your worldview either positively or negatively, your accent. Your economic class affects where you go to school, what you eat, where you sleep.
[The Man] was a case where it was a funny role teamed up with another actor. It's a great teaming. And the role was a bigger role. It wasn't so much that it was a co-starring role. This is not a new direction. I'm not saying, 'No. I'm only now co-starring.' It just happens it's a co-starring role.
A lifestyle involves a cluster of habits and orientations, and hence has a certain unity - important to a continuing sense of ontological security - that connects options in a more or less ordered pattern. (...) [T]he selection or creation of lifestyles is influenced by group pressures and the visibility of role models, as well as by socioeconomic circumstances.
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