A Quote by Vanessa Carlton

When it comes to music, we live in a very different world than everyone did in the 1960s and 1970s. — © Vanessa Carlton
When it comes to music, we live in a very different world than everyone did in the 1960s and 1970s.
When my father began his work in the 1970s it was a very different EU. I pay tribute to what he did. But it has now become a very different proposition: the United States of Europe.
The dreams of the 1960s began to disappear in the 1970s. The economy collapsed, and so did the optimism of the Metabolists.
When I listen to music from different eras, I sense different things. The 1940s music, there's so much optimism and romance, maybe because they just solved the biggest problem on Earth at that time - World War II. In the 1960s, there was so much creativity and innovation in sound.
One song isn't going to ever change things, but I suppose it's the accumulation of music generally [that is]. If you can imagine a world that has no music in it, it would be a very different world, so music does change the world by virtue of all the music in it. Cumulative music of every kind, from banging a drum to playing a flute or recording symphonies, or singing 'War, what is it good for?' All those things change the whole way we live.
The game business arose from computer programs that were written by and for young men in the late 1960s and early 1970s. They worked so well that they formed a very lucrative industry fairly quickly. But what worked for that demographic absolutely did not work for most girls and women.
Europe and North America, we are told, are less dependent on energy-intensive heavy industry than in the 1960s and 1970s. It seems we squeeze more GDP out of a barrel of oil than in those benighted days.
Well, our economy is very strong and growing. We have created 5.4 million new jobs in the last 3 years. Our unemployment rate is better than the average unemployment rate of the 1960s, 1970s, 1980s, and 1990s.
I think I definitely learned how to structure songs, just from listening to a lot of 1960s, 1970s pop music, although I'm sure my mother's watchful eye had a lot to do with it.
The 1960s and 1970s were the real years for independent film, because they were really independent. Plus, there were hundreds of distributors. There were all these companies that basically did exploitation, but they were independent. Now, there are very few independent distributors.
My experience growing up in a rough and tumble town in the blue-collar world of Western Pennsylvania in the 1970s was that anything a man did was always more important than anything a woman did.
The Caribbean world has changed radically since the 1960s, and postcolonial generations have very different mentalities from those that went before.
But this post-college world felt different from everything that had come before it; art was still central, but now everyone had to think about making a living too, and they did so with a kind of scorn for money except as it allowed them to live the way they wanted to live.
I was a kid at the end of the 1960s and in the early 1970s, so a lot of things changed. You had pop music coming up, with David Bowie, you had new television programmes and all these things. I was fascinated.
It seems like the record industry made so much crazy money in the 1960s that everyone wanted to get in on it. Now it's just become very corporate. So all of these people who despise music end up being in charge.
When the new wave of terrorism came on the modern world, which is the late 1960s, early 1970s, I think we spent about a decade, the United States and our allies, trying to figure out how to deal with it.
I like garish things: I like the 1970s and 1960s, and country music - that big-hair look. I don't go for nudes or beiges. My hair's naturally black - I bleach it. I don't go for subtleties.
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