A Quote by Vanessa Diffenbaugh
I don't think there is anything magical about the language of flowers in real life or in my book.
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The Victorian language of flowers began with the publication of 'Le Language des Fleurs,' written by Charlotte de Latour and printed in Paris in 1819. To create the book - which was a list of flowers and their meanings - de Latour gathered references to flower symbolism throughout poetry, ancient mythology, and even medicine.
I realized I was tired of singing about trees and flowers. I wanted to sing about real life. From then on, nobody could tell me anything was better than blues.
I'm just very much in love with love. I have this fairy-tale idea of what love should be, and I want it to be magical. I want everything in my life to be magical, actually. If you ever come to my house, you'll see what I mean. I've made it like a fairyland. Flowers and hearts everywhere, and there's colors and little gems hanging from the windows. I just like things to be magical if they can be, and in love there's your opportunity. I think that's how it should be, and if it's not like that, then, "Nah. Don't want it".
For the flowers are great blessings. For the Lord made a Nosegay in the meadow with his disciples and preached upon the lily. For the flowers have great virtues for all senses. For the flower glorifies God and the root parries the adversary. For the flowers have their angels even the words of God's creation. For there is a language of flowers. For there is a sound reasoning upon all flowers. For flowers are peculiarly the poetry of Christ.
I think most writers will say that at the start of each book they think, 'I'm not sure I can do this.' But eventually, you reach a magical point where the story suddenly becomes real to you, and you become totally invested in it.
I loved [Real Madrid]. It was a real experience, playing with a great team. One of the first questions I'm often asked is 'What was Madrid like?' It's got that mystique about it. It's a magical place and a magical team, and everything about it is great.
I've always loved the language of flowers. I discovered Kate Greenaway's 'Language of Flowers' in a used bookstore when I was 16 and couldn't believe it was such a well-kept secret. How could something so beautiful and romantic be virtually unknown?
Real haiku is the soul of poetry. Anything that is not actually present in one's heart is not haiku. The moon glows, flowers bloom, insects cry, water flows. There is no place we cannot find flowers or think of the moon. This is the essence of haiku. Go beyond the restrictions of your era, forget about purpose or meaning, separate yourself from historical limitations—there you will find the essence of true art, religion, and science.
There's a serendipity to real life that the Internet can't duplicate. Do you use the library? For anything? Well, sometimes you end up picking up the book next to the one you were looking for, and it's that book that changes your life.
Cancer is too real, and too awful, and I can't make it good or magical. I couldn't even read a book where a character had cancer, for a while... But now I've reached a point where I don't think about cancer nonstop anymore, and sometimes I worry about that - I'm going to forget what I went through; I'm going to forget how horrible it was.
I can think of no other experience quite like that of being 20 or so pages into a book and realizing that this is the real thing: a book that is going to offer the delicious promise of a riveting story, arresting language and characters that will haunt me for days.
My last book, 'The Language of Flowers,' I wrote completely on naptime, when my little kids were asleep.
I think the thing I had to be careful about while writing a book was not to say anything that was revealing about other people that they would be uncomfortable with. I didn't want to make people angry - that's a real risk.
The flowers, the gorgeous, mystic multi-coloured flowers are not the flowers of life, but people, yes people are the true flowers of life, and it has been a most precious pleasure to have temporarily strolled in your garden.
I don't think that books are wondrous, magical things that come from nowhere. It's important that a book has clues about where and how it was written.
My mother always had flowers at home, they were always there. In the garden, on the table, fresh flowers. I think I relate flowers to the women in my life.
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