A Quote by Vanessa Kirby
I watched her do speeches, but the only footage we could find of [princess] Margaret was archive footage, which was of her public presentation of herself.
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I watched tons of archive footage of princess Margaret and listened to the music she loved; that was really immersive and brilliant.
With every project I start out on, there's no footage. It's always a big slog to find the footage.
I love archival films very much. I spent thousands of hours watching archive footage. Every time I see it, I see something. Sometimes I think I know this footage, but two years later, I see it again, and I see something new.
Over time it just got more and more intense as far as the trust factor. For example, when we started editing the film [Dream of Life], I thought, man, I need to make sense of all the footage I have; I need to ground the film. And one day I was hanging out in Patti's [Smith] bedroom, which is where Patti works, and in the corner of her bedroom is this great chair, and that's when she began showing her personal things to me. The camera was there, and we realized that we were really making the movie and making sense of the footage in the movie.
On 'Senna,' it got to the point where there was so much footage that our first editor had the wild suggestion that we only use the archive.
They wanted to carry her, but she jumped to the stones of the plaza and strode away from the building, toward her ranks, which parted to make way for her. The streets of Pudong were filled with hungry and terrified refugees, and through them, in simple peasant clothes streaked with the blood of herself and of others, broken shackles dangling from her wrists, followed by her generals and ministers, walked the barbarian Princess with her book and her sword.
She bent her finger and then straightened it. The mystery was in the instant before it moved, the dividing moment between not moving and moving, when her intention took effect. It was like a wave breaking. If she could only find herself at the crest, she thought, she might find the secret of herself, that part of her that was really in charge. She brought her forefinger closer to her face and stared at it, urging it to move. It remained still because she was pretending... . And when she did crook it finally, the action seemed to start in the finger itself, not in some part of her mind.
She remembered that once, when she was a little girl, she had seen a pretty young woman with golden hair down to her knees in a long flowered dress, and had said to her, without thinking, "Are you a princess?" The girl had laughed very kindly at her and asked her what her name was. Blanche remembered going away from her, led by her mother's hand, thinking to herself that the girl really was a princess, but in disguise. And she had resolved that someday, she would dress as though she were a princess in disguise.
It's funny; before I started writing professionally, I had a job logging video footage for behind-the-scenes footage for special features.
As an Englishwoman, you pick up a lot through osmosis. I've been watching the Queen all my life. But, yes, I did watch news footage and was able to pick a couple of little tics. For instance, she plays with her hands a lot and has a certain way of holding them on her lap when she's in public.
It was while Princess Margaret was attending a high-society party in New York that the hostess asked her politely how the Queen was keeping. "Which one?" she is reported to have replied with her typically razor-sharp wit. "My sister, my mother or my husband?
On the day when it will be possible for woman to love not in her weakness but in her strength, not to escape herself but to find herself, not to abase herself but to assert herself--on that day love will become for her, as for man, a source of life and not of mortal danger.
Mr. Thornton felt that in this influx no one was speaking to Margaret, and was restless under this apparent neglect. But he never went near her himself; he did not look at her. Only, he knew what she was doing — or not doing — better than anyone else in the room. Margaret was so unconscious of herself, and so much amused by watching other people, that she never thought whether she was left unnoticed or not.
I was frequently embarrassed by the way Margaret conducted herself within the European Community. Her tactics were counter-productive and damaging to the UK's interests. On most issues her approach was foolish. Her style and tone of voice came to irk the others so much that they instinctively sank their differences and joined forces against her.
As for that footage, video footage showing the dead children allegedly killed in the chemical attack, it is horrible. The question is only who did it and what they did, and who is responsible for this. These pictures do not answer the questions I have just posed. There is an opinion that it's a compilation by these very rebels, who are connected with al-Qaida and who were always distinguished by exceptional brutality.
Every few weeks she would shut herself up in her room, put on her scribbling suit, and fall into a vortex, as she expressed it, writing away at her novel with all her heart and soul, for till that was finished she could find no peace.
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