A Quote by Vanessa Kirby

I would argue [princess] Margaret is the tragic figure of the century. — © Vanessa Kirby
I would argue [princess] Margaret is the tragic figure of the century.
Growing up, the image I had of Princess Margaret was completely different. I knew that she was a slightly tragic figure, but I didn't know why. Now, I love her with my all my heart. She was such an amazing person, and getting to 'know' her better was an honor.
That's exactly how I felt. So getting to suddenly know this young [princess] Margaret, who had this extraordinary life - it was sad and tragic and difficult and sort of astonishing and getting to know her young self was amazing because it completely defied all my expectations.
I actually thought Pope Paul VI was the most tragic figure in the modern church, like Lyndon Johnson was a very tragic figure in politics in some ways.
Everybody has an image of [princess Margaret], to a certain extent. But I felt it would have been harder if we were playing them as they are now. In a way, I don't know how much of a living memory we as a collective have of them in the '50s, when Margaret was 21 and this sort of Elizabeth Taylor. You don't think of your grandparents as being teenagers. You just can't - your brain just can't go there!
I started to really enjoy the fact that [princess] Margaret was an exhibitionist. Even on a day-to-day basis, Margaret's costumes were always so much more dramatic and bold than Elizabeth's were.
There is no chance of my marrying Princess Margaret.
I did a lot before [being cast] because I knew how important it would be for playing somebody real, or attempting to - to show the team [the role] was something I would be fascinated to do. I read a couple of biographies and I watched everything I could find [about princess Margaret].
[Princess Margaret] was loud, an extrovert, an exhibitionist, loved fashion, loved color, loved music, loved drama, loved the theater, wanted to be a ballerina or actress, was always the little one putting on the school plays, and [princess] Elizabeth reluctantly did it and got stage fright.
[Princess Margaret] was always trying to radicalize things.
Marking the differences between them was really important. It just became second nature. When we were choosing pajamas or something, instantly you'd be able to spot: those are [princess] Margaret, those are [princess] Elizabeth. It became this sort of language, really, of the two sisters.
Oh, my Margaret--my Margaret! no one can tell what you are to me! Dead--cold as you lie there you are the only woman I ever loved! Oh, Margaret--Margaret!
Of course I took advantage of the publicity that surrounded my friendship with Princess Margaret.
Whatever comes," she said, "cannot alter one thing. If I am a princess in rags and tatters, I can be a princess inside. It would be easy to be a princess if I were dressed in cloth of gold, but it is a great deal more of a triumph to be one all the time when no one knows it.
I really enjoyed stepping into that side of [princess Margaret] and being silly and naughty and fun.
In Princess Margaret I found a fine friend who could steady my restless nature and offer wise counsel.
I watched tons of archive footage of princess Margaret and listened to the music she loved; that was really immersive and brilliant.
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