A Quote by Vanessa Paradis

I could sing in English before I could understand it because I phonetically learned it from the musicals. — © Vanessa Paradis
I could sing in English before I could understand it because I phonetically learned it from the musicals.
I learned English in one month. I told myself I should listen. In the next month I could talk to everyone. I was so happy because I could do one thing...I could talk.
I studied at Guildhall and did the acting course, but because I could sing a bit, I kept being cast in musicals.
I'm a first-time father, and it was amazing to me to learn that my son could actually use sign language before the spoken word. I could see this intelligence in his eyes before he could speak: how he could understand what was going on around him and was frustrated by that.
As a young actor, I booked a movie in the U.S. I didn't speak any English at the time, so I learned my lines phonetically when I auditioned for it.
True perfection in all things is no longer known or prized - you must write music that is either so simple a coachman could sing it, or so unintelligble that audiences like it simply because no sane person could understand it.
I really wish I could sing so I could front a band, because that would be a dream come true, totally. I want to sing. Can't do it though.
Some time ago, I learned how to say, 'What's the worst thing that could happen up there?' I could mess up some words, I could sing flat... I could appear human. Is that really the worst thing in the world?
Dad always says that I could sing before I could talk
A lot of time, I'd spell things in standard English instead of phonetically because I want people to understand what's going on. It's also very lyrical, and the great thing about lyrical prose is even when you're not totally sure of the words, you can be swayed by the musicality of it.
My dad says I could sing before I could talk, if that's possible. I was always humming and things like that.
You can't just sing the song and live another life, you know. It's really difficult now because that's not what it's about. It's pop and pop just says that we could be actors. We could sing about stuff and not believe in it. It could be absolutely fraudulent and it doesn't really matter.
I never solicited myself as a singer until I realized I could use that to a musical standpoint. I loved musicals growing up. Classic films were some of the only ones I watched. So when the opportunity came for the show to audition, of course it was all of a sudden, "I sing! I sing! Send me in, please. I beg of you."
About time, what I really learned from studying English is: time is different with timing. I understand the difference of these two words so well. I understand falling in love with the right person in the wrong timing could be the greatest sadness in a person's entire life.
I think that Eleanor Roosevelt really learned about the limits of power and influence from Arthurdale. She could not make some things happen. And she particularly learned that she could not, just because she was nominally in charge, she could not change people's hearts and minds; that a very long process of education would result before race was on the national agenda. And it really did move her into the racial justice arena with both feet. She came out fighting.
Before 'The Last Samurai,' I couldn't believe I could do that. I didn't think I would be able to explain myself and my feelings in English, in a different language. But I could.
I went back to China and did a movie in Mandarin, and I don't speak Mandarin, so I learned it phonetically. Now, when I'm on set and somebody gives me English lines, I'm like, "Are you kidding? What's happening? This is amazing!"
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