A Quote by Vanessa Redgrave

The great writers like Chekhov know that tragedy and laughter are just a few steps from each other ... but it took me a long time as an actress to learn that. Actually Arthur Miller taught me in the Seventies. We were making a CBS TV drama of his play Playing for Time about Auschwitz but the characters were laughing. It was a big insight for me to realise that that was what's called gallows humour, in this case worse than the gallows, that humans need to laugh and make jokes in order to survive.
I try to offset any tendency towards the macabre with humour. As I see it, this is a typically English form of humour. It's a piece with such jokes as the one about the man who was being led to the gallows to be hanged. He looked at the trap door in the gallows, which was flimsily constructed, and he asked in some alarm, 'I say, is that thing safe?
I actually feel that all drama has an element of comedy in it. A great deal of that I learned from writers like Chekhov who called his plays his comedy even when they touch on tragedy.
He tells me I look as if I could use a hugand i laugh at him and he ignores me and steps forward and puts his arms around me and hugs me. I warm at the simple pleasure of human contact and for the first time in a long time i actually feel good." (James Frey, pg.38)
All I do is have fun. When I'm not working, it's about making people laugh. I love making jokes about things. Even when someone's mad at me, I'll deflect anger with humor. My days are filled with laughter. If I'm not laughing, I'm not happy.
This is our lance. See, you're making me laugh about this now, because there have been a few jokes on the set about what they actually look like. But, see, I personally think they'd be a great toy. So... just batteries aren't included.
They signed the unwind order just to spite each other,but laugh,laugh,laugh,Hayden, because if you ever stop laughing,it might just tear you apart worse than a Chop Shop.
Something they taught us at drama school, and it's taken me a long time to realise it's true through practice, is that you can't put judgments on a character you're playing, especially while you're doing it.
It's been stress and drama for a long time now, man. So much has happened. I got shot five times by some dudes who were trying to rub me out. But God is great. He let me come back. But, when I look at the last few years, it's not like everybody just did me wrong. I made some mistakes. But I'm ready to move on.
I was taking my first uncertain steps towards writing for children when my own were young. Reading aloud to them taught me a great deal when I had a great deal to learn. It taught me elementary things about rhythm and pace, the necessary musicality of text.
..few writers like other writers' works. The only time they like them is when they are dead or if they have been for a long time. Writers only like to sniff their own turds. I am one of those. I don't even like to talk to writers, look at them or worse, listen to them. And the worst is to drink with them, they slobber all over themselves, really look piteous, look like they are searching for the wing of the mother. I'd rather think about death than about other writers. Far more pleasant.
There were high school coaches such as Charles Boston that took me under his wing and taught me the fundamentals of football. And when I went to college there was Robert Hill who took me there and he showed me what hard work and determination would do if you put forth the effort and you take a little time.
When I started meeting members of the hijra community, it was a whole different ballgame. They were like me. This was the first time I felt that I was with other people who were the same as me. It was not about cruising a man, it was not about sleeping with somebody - it was beyond that. It was so much a community, wanting the best for each other, loving each other, caring for each other.
Funny stories on set - there are thousands of them, but they are only funny to the people who were on the movies. You start to have inside jokes and gallows humor. You have all kinds of things you laugh at, but as soon as you tell somebody, the joke falls flat because they don't know the context of it.
Everything just feels so empty without her. She was more a parent to me than my birth parents were. She took me in, fed, dressed me, but most importantly, she treated me with respect. She taught me that my abilities were nothing to be ashamed of, nothing I should try so hard to deny. She convinced me that what I had was a gift-not a curse- and that I shouldn't let other people's narrow minds and fears determine how I love, what I do, or how I perceive myself in the world. She actually made me believe that in no way, shape, or form did their uninformed opinions make me a freak.
The key to gallows humor is to make the joke, no matter how certain the gallows is.
I have three younger siblings, so the four of us were outside all the time after school playing games, making up games. My sister made up a game called 'roof ball.' We'd play that constantly. She always beat me in it, and it made me very mad. But we were outside all the time.
This site uses cookies to ensure you get the best experience. More info...
Got it!