A Quote by Vanessa Redgrave

On one occasion, Daniel Day-Lewis, Jeremy Irons and myself were due to appear at the Sarajevo film festival and were turned off a UN plane on orders from Geneva. We had to get local journalists to transport the films in for us. I tell you this only to demonstrate that festivals can be a lifeline. But, after all the difficulties I'd had in getting there, in 1996 I found myself being flown in on a four-seater RAF plane as an official guest, endorsed by the British Embassy. Ironically, the film I was to present was Mission: Impossible.
The other day the plane that Barack Obama was on had some mechanical difficulties and was forced to land. Well, the National Transportation Safety Board did an inspection on the plane, and you know what they found? The bolts on the plane were fine, but apparently Jesse Jackson had taken some of the nuts off.
Film festivals are a great vehicle for gaining an audience for your film, for exposure for the talent in the film and for the film makers to leverage opportunities for their films. I love the energy that film festivals bring.
I spent nine days shooting the film 'Camera Trap' in Nepal in 2014. The journey consisted of four flights, including a terrifying one through the Himalayas in an 18-seater plane which landed on an icy runway, then a 4x4 ride to a lodge at the foot of a 400-year-old mountain village. The villagers were the kindest people I've ever met.
Playing big films on festivals is SO misguided. And I know where it comes from: it comes from the head of the festival thinking that he'll play with the big guys, like that's the way to do it and it's SO not the way to do it. It's where Cannes went wrong, it's where Toronto is going wrong. I mean, I got off the plane in Cannes this year and the streets were paved with posters from studio movies. Who cares about that? Why come to Cannes for that? You're going to be able to see all those films anyway - you're not going to be able to avoid them, so I don't get it. Obviously.
I tried to join the RAF cadets at school so I could fly a plane but then I realised you had to do all the other cadet stuff like training before they let you in a plane. Then you're roped in for life.
I remember in 1968 when we were in Cannes, in the festival, and we were supposed to be there 10 days, and the second day the festival collapsed because the French, you know, film-makers raised the red flag in the festival and ended the festival.
May I remind you that the bombs that were dropped by the B-2 plane on the Chinese embassy or at least that is what we were told were GPS bombs. And the B-2 flew in from the US.
You tell me that 'Date Night' was good? I'm not going to see it. I will debate you on it, having no knowledge of the footage in the film. I was next to someone on the plane watching it, and they were dozing off.
When I get on a plane, I kiss the plane and I tap it three times. If I don't do it... I have to do it. One time I sat in my seat and I had to get back up to touch the plane.
As a British driver, you get compared to Lewis and I get that. But when he came to McLaren, they were doing well and had a championship-winning car. I'm in a very different situation so I don't compare myself to his stats.
I came across the Indonesian genocide in 2001, when I found myself making a film in a community of survivors. They were plantation workers, and it turned out they were struggling to organize a union.
I was in my office when - on 9/11. I think I had a number of meetings scheduled. I was just getting to know the bureau. And somebody walked in and said the first plane had - or a plane had struck the World Trade Center, one of the towers.
I found the people to be very kind and generous. It was unique because the crew was mainly Ugandan [filming The Last King of Scotland]. They had never done a film before. So, they were learning the process of making films, but at the same time they were also helping with the authenticity of the film.
I laughed at the whole Cannes Film Festival thing because it didn't feel real. I remember getting off the red-eye when I arrived in France. I had a cowboy had on and some zit medicine, and there were like 15 photographers who jumped over the luggage carousel to take pictures of me.
I studied at the Bristol Old Vic Theatre School, which was founded by Laurence Olivier and has alumni like Jeremy Irons and Daniel Day Lewis. It's a very erudite institution; its ethos, really, was always theatre-based.
You'd tell me if we were getting married, wouldn't you? I mean, you wouldn't just appear on my doorstep one day and say we were due at the church in an hour.
This site uses cookies to ensure you get the best experience. More info...
Got it!