A Quote by Vantile Whitfield
Learn your audience and know how to reach them and don't sign anything without a good lawyer and a capable agent.
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I have the best agent, manager, publicist, acting coach, and lawyer. Without them, I wouldn't have the opportunities that I've had.
Learn how to program and play lots of games. If you find yourself capable of writing a game, someday you'll be capable of writing a really good game. My dad's a writer, and when you ask him how to learn to write, he says, "write." So basically, do it and keep doing it until you get good.
From the stage, I can reach a large audience, and you learn from being on stage how much a song reaches, what extent of the crowd a song can reach. I write in a way that can reach most of the audience, but I also wanted to have truly intimate moments as well, many intimate moments, more so than the big moments.
And you realise you're doing a public service in making people happy - as a musician you can give people something a doctor, a lawyer, a politician cannot give them that. It's not scientific. It's spiritual - a good feeling. And although you don't know them personally, the audience are like your friends.
When I was starting out, young actresses had the studio system to protect them. Now you have a host of sharks, from your agent to your publicist to your lawyer.
You got to have the right lawyer and good management. I went years and years without management and even a good lawyer; I used to handle contracts on my own, and it was definitely corners that they would cut. It wouldn't have happened if I had a good lawyer behind me.
You need to learn to write on demand, and to get critiqued without flinching. When someone can rip your work to shreds without it feeling as though your arm has been hacked off, you're ready to send your novel off to an agent.
I came up professionally as a lawyer, and when you're a lawyer, writing a 50-page brief in one night is just another day at the office. You learn to make choices really quickly, and you learn how to get thoughts down very quickly.
When you first come to practice, you learn the guys. You're going to play with them for the next couple seasons. You just need to know what shots they like, how they run, how good a lead they are. You need to know your personnel.
I marvel at how good I was before I met him, how I lived molded to the smallest space possible, my days the size of little beads that passed without passion through my fingers. So few people know what they're capable of. At forty-two I'd never done anything that took my own breath away, and I suppose now that was part of the problem - my chronic inability to astonish myself.
I want to reach that peak. I don't know when I'm going to reach it. I don't know how good it's going to be. But if I feel like I've done it all-that I've reached what I can reach at the end, there's no way I can't be satisfied.
I'm not sure anything makes you an outright good person or bad person - that we're all capable of doing good or bad things. And if you want to know how much good you can do, and how much hurt you can do, just ask somebody you love.
Keep a journal, and learn how to see how you as an individuals sees information so you can learn your own sign language. Meditate and practice psychic self defense and surrounding yourself with prayer.
Keep a journal, and learn how to see how you as an individuals sees information so you can learn your own sign language. Meditate and practice psychic self defense and surrounding yourself with prayer
I don't think film schools are mentoring kids. I think they just send them through the curriculum, so now you know how to hold a camera, how to use a Dx3 menu. You can learn that in five minutes from somebody that doesn't even know anything. But what do you know if you haven't read anything - studied art and studied literature - what do you have to contribute?
I sign up whatever live shows I get simply because every gig is a chance to reach out directly to the audience. When it comes to gigs, I try mixing personal picks with what the audience demands.
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