A Quote by Varg Vikernes
I am too conservative to use another studio than the one I am used to, so I "had" to travel all the way from France to Norway every time I wanted to record an album. That was about 3,500 km each way in a Lada Niva with a cruising speed of 90 kph.
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In another time, another world, each studio made 200 movies a year and had 20 executives. Today, a studio makes less than 20 movies a year and has 500 executives. They own too many parking decks and too many billboard companies. They're awash in overhead, and it's pinning them down, and they know it.
My contract with mercury PolyGram Nashville was about to expire. And I never had really been happy. The company, the record company, just didn't put any promotion behind me. I think one album, maybe the last one I did, they pressed 500 copies. And I was just disgusted with it. And about that time that I got to feeling that way, Lou Robin, my manager, came to me and talked to me about a man called Rick Rubin that he had been talking to that wanted me to sign with his record company.
I see pictures of myself BB - before Botox - and I see the ones after and I am happy. I am on television 1,500 times a year and it is a very small way, and a safe way, of looking a little bit better than I used to.
I love driving fast. I grew up in Germany; we have the Autobahn here, where we can drive without a speed limit. And throughout my 20s, I always had fast cars, and I always went to the maximum. Like, my average cruising speed was 250 km/hr.
I have a terrible time during elections. I am way too politically involved. I absolutely never argue politics with anyone, as it makes me crazy and full of judgment and hostility. I have two very conservative friends, whom I cherish and would entrust my life to; we avoid politics like the plague. So in a certain way, it limits how completely we let ourselves know each other, but this is just the way it is and it is the best we can do. And I am secretly convinced that God is a progressive Democrat.
You're not going to hit it every single time, and that's why, when I record an album, I do probably close to 50 songs. Each song I record has to get better. If it's not better than the last song that I made, it'll usually linger for a couple of months, and then it'll be put on the backburner, and then there'll be another song that I do, and then it often doesn't make it on the album.
Believing that war is contrary to the will of God and to common sense, and feeling that the way of peace is the way of love, I shall work for peace by using the way of love myself, by helping any group I am part of to use it, by helping the nation of which I am a citizen to use it, by helping the United Nations to use it, and by praying that the way of love be used all over the world.
Where the world comes in my way - and it comes in my way everywhere - I consume it to quiet the hunger of my egoism. For me you are nothing but - my food, even as I too am fed upon and turned to use by you. We have only one relation to each other, that of usableness, of utility, of use.
We had a nightmare on our first album, and went through two producers. I decided, on the second album, to take the money that we were supposed to use for pre-production, and we went into a studio and cut the album with no producer. We finished the whole thing without telling the record company.
I'm an independent conservative. And what I mean by that - when I think we're right, I'm with us all the way, and I am a conservative. And I think my record reflects that.
Since the age of six, I have had a passion for drawing things. Now that I am 75 years, I have finally learned something of the true quality of birds, animals, insects, fishes, and of the vital nature of grasses and trees. By the time I am 89, I shall have made more progress. By the time I am 90, I shall understand the deeper meaning of things. When I am 100, I shall be truly marvelous; and at 110 each dot and each line will possess a life of its own.
When Dre and I started making the 'Straight Outta Compton' record, every day on our way to the studio, we would listen to the 'It Takes A Nation' album.
When I moved into making sculpture, I could handle steel the way it had been handled in the technological revolution. I could use it the way bridge builders used it; I could use it the way they used it in industry and building and not the way it had been used in art.
It's more about balance for me. I used to be an all or nothing person. And now I would rather have a lifestyle change - rather than use the word 'diet' - where 90 percent of the time spend my life that way and 10 percent of the time have fun and do what my body feels like it needs or craves.
Everything I read about me is what I say. The way I've come across is exactly who I am. So far, they haven't skewed it to be one way or another too much.
I am sometimes referred to as Excuse Me in an annoyed tone of voice, because apparently I am in the way. I am so sorry. I am supposed to be some sort of mind reader, I guess. I am moving out of the way now as slowly as I possibly can. I am doing this and there's nothing you can do about it.
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