A Quote by Varg Vikernes
The romantic image of the ancient world is very inspiring, as is nature itself, but I think the dissatisfaction with our modern world is the strongest force keeping me going.
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An old argument with me is that the true religious force in the world is not the church, but the world itself: the mysterious callings of Nature and our responses.
The Met is such a powerful place for me because it's a natural connection between the ancient world and the modern world. And when you're dealing with ancient mythology, trying to put a modern spin on it, you really can't do much better than to call on the Met.
Modern physics is describing what the ancient wisdom keepers of the Americas have long known. These shamans, known as 'the Earthkeepers,' say that we’re dreaming the world into being through the very act of witnessing it. Scientists believe that we’re only able to do this in the very small subatomic world. Shamans understand that we also dream the larger world that we experience with our senses.
Nature consists of facts and of regularities, and is in itself neither moral nor immoral. It is we who impose our standards upon nature, and who in this way introduce morals into the natural world, in spite the fact that we are part of this world. We are products of nature, but nature has made us together with our power of altering the world, of foreseeing and of planning for the future, and of making far-reaching decisions for which we are morally responsible. Yet, responsibility, decisions, enter the world of nature only with us
What interests me is to paint the kind of antisensitivity that impregnates modern civilization. I think art since Cezanne has become extremely romantic and unrealistic, feeding on art. It is Utopian. It has less and less to do with the world. It looks inward - neo-Zen and all that. Pop Art looks out into the world. It doesn't look like a painting of something, it looks like the thing itself.
We're all born listeners. And as a result of our modern lives, and living in a world that has less meaning than the natural world that we evolved to hear, we learn to think of listening not as taking in all the information with equal value, which is the definition of true listening. In our modern world, we tend to think of listening as focusing our attention on what is important and filtering out everything else.
The discovery of personal whiteness among the world's peoples is a very modern thing - a nineteenth and twentieth century matter, indeed. The ancient world would have laughed at such a distinction.
The faith engaged with Platonism in the ancient world, with Aristotle in the medieval world, with nominalism in the Reformation era, and with rationalism in the modern world. Now the church must engage with the emergence of a postmodern, post- Christian, neo-pagan world.
The richness of our contemporary visual world must be seen as a danger. It is an overwhelming and oppressive world. A world that manifests itself fundamentally through the image is only a few steps from totalitarian manipulation.
One reason why people find applying the Bible to work so difficult is that the world of Scriptures seems so distant from our modern world today. Many established realities we encounter daily, like non-profit and for-profit corporations, did not exist in the ancient world.
... dissatisfaction with one's self and dissatisfaction with the world - is necessary - it is one of the prime things that keeps the artist going on - that drives him - happiness, as such, must come in between times, as best it can.
I was trying to match my mental image of the world, rather than the world itself, and mental images of objects aren't full of detail. If you think house, you're going to get something very general... Dropping detail made the photographs more general, like mental images.
Beauty is the disinterested one, without which the ancient world refused to understand itself, a word which both imperceptibly and yet unmistakably has bid farewell to our new world, a world of interests, leaving it to its own avarice and sadness.
I think the existence of zombies would contradict certain laws of nature in our world. It seems to be a law of nature, in our world, that when you get a brain of a certain character you get consciousness going along with it.
I believe that we face incredible obstacles in our attempts to see the world. Everything in our nature tries to deny the world around us; to refabricate it in our own image; to reinvent it for our own benefit. And so, it becomes something of a challenge, a task, to recover (or at least attempt to recover) the real world despite all the impediments to that end.
The romantic view of the natural world as a blissful Eden is only held by people who have no actual experience of nature. People who live in nature are not romantic about it at all. They may hold spiritual beliefs about the world around them, they may have a sense of the unity of nature or the aliveness of all things, but they still kill the animals and uproot the plants in order to eat, to live. If they don't, they will die.
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