A Quote by Varun Dhawan
I think it's unfair for people to decide what my strength is after just three films.
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You really think that on my films people tell me what to do? I don't think so. On my films I decide.
Many people say the privatisation was unfair: that is true - it was unfair. That is a fact: some people became rich and others did not. Unfair does not mean illegal, but it was inevitably unfair.
I often think it's unfair to the listener and "too easy" to just choose one tempo while I make and decide the songs.
In other words, let's face it: Life is basically unfair. But even in a situation that's unfair, I think it's possible to seek out a kind of fairness. Of course, that might take time and effort. And maybe it won't seem to be worth all that. It's up to each individual to decide whether or not it is.
So when people tell you, oh, you can't have the Ten Commandments on public property, they're just wrong. It's historically false. It's not true. Now, you can decide to invent a new America in which you shouldn't say "one nation under God" as part of the pledge because, after all, you will offend three atheists. But that's not the America you inherited. That's a different country. And I think it's a weaker country and I think it's a country that has no roots in terms of where its rights come from.
People seem to think I got where I am because of the clothes that I wear. That's unfair to me and unfair to all of my accomplishments.
I never worked on different films at the same time. I made one by one. I never made two or three films together. This is impossible! I only have one head. It is impossible for me to think about two films at the same time. There are a lot of these legends about me, and I don't know why. I'm not a legendary man. But the people all the time say I make three films at the same time, and it's not true. Don't believe these kinds of things.
I think we kind of changed how people did humans in CG animation after. If you look at films before 'Incredibles,' they tended to be photorealistic in a clunky and ugly way, with pores in their skin and too many eyelashes. It's kind of disturbing. And since, the designs have gotten a lot more playful in a lot of people's films, not just ours.
During the whole time we were covering the Bulls, I would get blasted by every other sports reporter who thought I had unfair access. I don't think it was unfair. It was just fortunate for NBC.
I love French films, and European films. They're not any bigger, but there's just a sort of definition, and a confidence, and strength to them. I'd always, given the option, go and see a French drama. Obviously, we probably get the better ones. But they're just sophisticated on many levels, and grown up, and quite profound - and we don't make films like that.
I think when I started modeling three years ago, it was just a job, and I was so excited - everything was so new, so crazy. I didn't overthink anything; I just did it and enjoyed myself along the way. But after a few seasons, you get used to it, and there's a lot you actually have to think about, and, I don't know, it just makes you much more aware of what you look like and what other people think. It's a bit of a nightmare.
I don't think people were put here to be happy. I think if you decide to be an artist or a writer, you automatically accept the responsibility of being alone. However, after your 50 or 60 years are up you'll be able to look back and see this output that you've done that will endure long after you're gone, and will continue to fill the minds of millions of people.
I think if I could do it over again - as much as I loved meeting the people I did on the films after 'Matilda' - I wish that I had stopped after 'Matilda.' I wish that I had just focused on my own life for a while.
The films that have influenced me and the films that have motivated me and inspired me were films that resonated, films that made me think after I saw them.
I think it's just easier for people to put you in a box or a lane because you look similar. I think that's unfair for anybody in any situation.
Plato has dramatic strength ... but is quite unaware of the strength of the argument against his position ... and allows himself to be grossly unfair in arguing against it.
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