So the real drama for me is balancing live performances and writing, and one of the ways I balance it is I write in hotel rooms. That's not exactly balancing. Actually, writing in hotel rooms means that I'm refusing to deal with the problem.
I'm in hotel rooms most of the time, and it can be hard to find a hotel with a nice gym. It was important for me to have a workout I could do in my room.
I'd, you know, I'd believed in God my whole life. And then started thinking about it. I was like, 'Am I living like - this stuff I'm reading - am living like we are called to live; to put Christ first, and to live for Christ? Maybe I'm not living like I'm supposed to.'
I can write anywhere. I write in airports. I write on airplanes. I've written in the back seats of taxis. I write in hotel rooms. I love hotel rooms. I just write wherever I am whenever I need to write.
My family is trying to drag me kicking and screaming into the normal world. Please, I live in hotel rooms.
There simply aren't any grand moments in life, and we surely don't live in those moments. No, we live in the utterly mundane. We exist in the bathrooms, bedrooms, living rooms, and hallways of life. This is where the character of our life is set. This is where we live the life of faith.
You would think with me living in Los Angeles I would go to the beach all the time, but we don't. It's the same as visiting the Statue of Liberty. If you don't live in N.Y.C., it's the first stop on your family vacation, but if you live there, you only go if you have relatives visiting from out of town!
I am through generalizing about ideas apart from men who generate them. I am through writing books about the dead, or writing books about the living to the unborn (tucked away as Literature) or writing books about the unborn to the living (whiffed away as prophecy). I put up my life on advertising the living to the living, on making men of genius known to the people and interpreted to their time, that the time in which I live, may live face to face with its men of vision and that they may live face to face with one another.
Liberty requires opportunity to make a living--a living decent according to the standard of the time, a living which gives a man not only enough to live by, but something to live for.
In the "Absolutely Fabulous" show, it's a fairly dysfunctional family, but they're not women who are constantly in search of a man. They don't live conventionally, they don't live in a conventional heterosexual relationship. Edina wishes all her children were gay, because as far as she's concerned it's the most glamorous most interesting thing to be. I think it's about bucking convention, really, and living life without apologizing.
There is no such thing as living alone, for all living is relationship; but to live without direct relationship demands high intelligence, a swifter and greater awareness for self-discovery.
My relationship to Brooklyn is probably the relationship that any 40-year-old man has to his hometown, which is that this is where I live, this what I know, yet it's different, it's changed. My fascination with the city has maybe subsided and now it's just where I'm from, where I live.
Why am I fighting to live, If I am just living to fight Why am I trying to see. When there aint nothing in sight Why am I trying to give, When no one gives me a try Why am I dying to live, If I am just living to die?
I know we live in a materialistic world. I am not living on Cloud Nine; I am not living in Disneyland. I understand all that.
I do believe that the outward and the inward life correspond; that if any should succeed to live a higher life, others would not know of it; that difference and distance are one. To set about living a true life is to go on a journey to a distant country, gradually to find ourselves surrounded by new scenes and men; and as long as the old are around me, I know that I am not in any true sense living a new or a better life.
I mean, I - it's so funny, I am, you know, I am, you know, a working woman out in the world, but I still live with my parents half the time. I've been sort of taking this very long, stuttering period of moving out.