A Quote by Varun Sharma

It's important to be seen in different films and banners. — © Varun Sharma
It's important to be seen in different films and banners.
It is always good to be cast in films with good stories and content, made by such amazing banners and directors. For an actor it's a task to work in films like these.
I didn't see films when I was young. I was stupid and naïve. Maybe I wouldn't have made films if I had seen lots of others; maybe it would have stopped me. I started totally free and crazy and innocent. Now I've seen many films, and many beautiful films. And I try to keep a certain level of quality of my films. I don't do commercials, I don't do films pre-prepared by other people, I don't do star system. So I do my own little thing.
I think one of the reasons younger people don't like older films, films made say before the '60s, is that they've never seen them on a big screen, ever. If you don't see a film on a big screen, you haven't really seen it. You've seen a version of it, but you haven't seen it. That's my feeling, but I'm old-fashioned.
I've been really fortunate to be able to do different kinds of films in different scales, different genres, different kinds of roles, and that is important to me.
Film is a wonderful thing and it can be so many different things. I don't want to turn my back on any of the different ways movies can be. I love the movies. I love going to the films. I like very serious films, I love foreign films, and I love big, fun movies - as long as they're well made and they've got good scripts. That's the most important thing.
The messages on our banners in 1979 - freedom, opportunity, family, enterprise, ownership - are now inscribed on the banners in Leipzig, Warsaw, Budapest and even Moscow.
As my films are born at the moment when they are reflected into another person's mind and memories, there are no misconceptions. I totally accept that different people have seen a different film.
Different films have different places in people's lives. I don't get to see a lot of films, so I want to watch films I learn from.
You know, independent films have been institutionalized, practically. Every studio has got a boutique arthouse label. There's like, 18 different independent film-financing funds. In fact, I think the children of those films are getting made. A more interesting question is whether those films are going to get seen and appreciated.
It's important that period films aren't seen as just a lovely visual exercise.
What's exciting to me now is the idea in participating in a landscape of moviemaking that's completely different - the way you can make a movie with a 5D or something and what's going to come out of that. Especially the generation under us who grew up with the internet. When they are making films in the next ten years, they're gonna be so different from what we've seen before because their whole worldview is so different.
I've seen many films, and many beautiful films. And I try to keep a certain level of quality of my films. I don't do commercials, I don't do films pre-prepared by other people, I don't do star system. So I do my own little thing.
I love Sam Raimi. 'Evil Dead 2' is one of my favorite films. It's one of the best cheaper horror films I've ever seen. Horror films and suspense films can be made on a low budget without big stars and be very effective.
One of the things I've been talking about with my critical writing and my own work is that these movies are seen differently in a theatrical space. It's very important to me. I edit films to be seen theatrically, like fiction material I've worked on like Listen Up Phillip or other documentaries.
All the jobs I've gotten in the last two years are because directors have seen the work I've done - indie films, plays, short student films, TV - since I moved to the states in 1996. I mean, I have an entire career in Canada that nobody has seen.
I like films that continue to spin your head in all sorts of different directions after you've seen them.
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