A Quote by Varun Sharma
I come from theatre and there have been roles where my job was to stand in the corner, with a sword in my hands, for two hours. And I was happy doing that.
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One thing about other people, when they come to the gym, they might waste time wrapping hands, doing stretching and things. I don't like that. If I come to the gym, if one hour - all work. If two hours - all. I don't want to do this stuff so I can stay like two hours in the gym training only one hour. I want to do my own - quick, quick.
Theatre has been a sort of hobby. I regret that I am not active, but given my job that is difficult. But those were learning days. The learning curve was the level of confidence, maturity, and reflexes that theatre teaches you is fantastic. You are alone in front of an audience for two hours and that gives you a different kind of confidence.
Theatre is organic, film is not. Theatre you come every day and you work with a group of people and you're are all up for it and you all get to do the whole thing every night, be it two hours or three hours. In film you work in two or three minute bits and it's never in chronological order and then someone takes that away and makes it look like it all happened, or that you gave that performance.
If you are not getting people who have never been to the theatre before to come, then you are not doing your job.
Balancing my career between two industries has never been an issue. I started with a Telugu film and have a soft corner for the south industry, though I've grown up speaking Hindi. I don't think language can be a barrier when it comes to acting. And, since I come from a theatre background, I'm used to memorizing my lines.
I'm doing The Physicists, which is great, and I do have my agent to thank for that because a lot of agents try and talk you out of doing theatre. They don't push theatre because you can make more money doing television, whereas theatre wages are pretty shocking. But it's something I've always been keen to do and have been encouraged to do so, which is nice.
As one woman told me, "When I decided to come in to work happy, everybody around me became happy." This woman had decided to quit a job she hated, and on the last day of her two weeks' notice, she woke up happy. At the end of the day, she noticed that everybody around her was happy, too- so she didn't quit after all. She decided to come to work happy instead. Two years later, she's still on the job, radiating happiness and love.
There are two kinds of theatre, good and bad. Much as I should like to see theatre in America, I would rather have no theatre than bad theatre. What we must strive for is perfection and come as close to it as is humanly possible.
I've always been short and stocky. So when I got into repertory theatre after graduation, I found myself doing character roles: because of my deep voice, shape and height, I was playing 40-year-old, 50-year-old roles at the age of 23.
I'm not very good at doing two things at the same time. I've never been good at the walk and bubblegum thing. I've been doing this 16 hours a day. I haven't had a day off. But it's very exciting, too, just to meet all these people doing really fertile stuff. It's sort of where I come from anyway, hanging out with people who believe in something incredible.
There are those who advocate, and those who do. I'm not trying to slight my peers, but there is a difference between using a soapbox and actually getting your hands dirty. I've spent not only years and millions of dollars but hours and hours and hours of my time doing what I do, and that's very different from what anyone else is doing.
I did try theatre out when I was little. I did roles as a child actress. My parents didn't push me into it. But I was up for it. I didn't enjoy doing eight shows a week, though. That repetitiveness didn't appeal to me. I love doing something different every day and travelling. You can't do that in the theatre.
After a two-year stint at Cheek by Jowl theatre company in London, I put all my energies into breaking into New York's theatre scene. It took me eight years to build enough to play lead roles.
I hold my face in my two hands. No, I am not crying. I hold my face in my two hands to keep the loneliness warm - two hands protecting, two hands nourishing, two hands preventing my soul from leaving me in anger.
The first building she reached appeared to be an old barn. Only one young guard stood before its bolted door, staring at her with wide eyes, holding up his sword in defense, She heated his sword and he dropped it, his expression barely changing, as if he had been expecting that. She held up her two swords to his throat, but they were two heavy, so she dropped one and held the other with both hands. "Where are the two Bayern boys kept?" The soldier shook his head. BURN HIM, prompted the fire. The excitement of burning was simmering in her, heating her up for more action.
I used to work in a hotel kitchen at night and do theatre in the morning. After finishing my night shift - I did it for two years - I used to come back and sleep for five hours and then do theatre from 2-7 P.M. and then again hotel work from 11-7 in the morning.
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