A Quote by Varun Tej
My constant endeavour is to offer something new to the audience. Every movie I pick, including 'Loafer', which offers a strong mother sentiment, tries to give the audiences a sense of watching something different.
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Every movie, especially when you get involved... takes something out of you. You learn something, but you give something to the movie. And after the movie, if the experience has been intense and a true experience, you're a little different afterward.
Friendship is a give and take. You have to have a strong relationship with your friend and I think you have to offer them something and they have to offer you something and that’s to always learn from it.
When you're watching a Bond movie, if there's a violent death, there's something about cleverly chosen twists, or what props are used, or some way that he's doing something that feels like an ironic twist, that feels like it gives the audience permission to enjoy watching it and to enjoy watching something that's otherwise just brutality.
The thing that I love about India is the diversity. Every city is different and offers something unique so it's hard to pick a favourite.
Curating, in the modern sense, is something I gravitate to. Taking different ideas from a bunch of different places and putting them into one place or space, a story that makes sense or a new idea. Everything is remixed and taken from other things to make something new.
Every now and then, someone comes along - we used to call it 'New Jack' - tries to do something new, tries to take all the credit, without acknowledging the past.
For me it's a new experience every single time, because - The dance community has a great strength in synergizing immediately. So we recognize that opposed to being competition, which we are in the audition process, once we're on the job is about cohesion, it's about striving to highlight each individual in their own element, while also creating something that is visually tantalizing to the audience. While the ingredients of each movie has been different, the recipe for success is the same, which is to click immediately and make the best possible movie.
Audiences are hungry for something different. With binge-watching, they're hungry for interesting content they haven't seen before, and they want to be entertained. A lot of shows are grim, murky and dark. We wanted to spin away from the obvious, the tropes, the cliches and what people are doing right now, and do something different.
There is something else which has the power to awaken us to the truth. It is the works of writers of genius. They give us, in the guise of fiction, something equivalent to the actual density of the real, that density which life offers us every day but which we are unable to grasp because we are amusing ourselves with lies.
What happens is people - especially, I think, audiences in the United States - people confront new things a little bit afraid. It's like when you're a kid and your mother puts something on your plate you never ate before. I think that American audiences are very much like that, and when they can accept something new they can accept the next new thing, it's incredible. And what happens is that their expectation of what things should be is elevated, and that's really terrific for us.
Audiences - they like colour, you know. I can go out there wearing a red suit, man, and they'll say I'm out of sight ... I think they should be educated; you should always drop something on an audience ... When you get in front of an audience, you should try to give 'em something. After all, they're there looking at you like this. You can't go out and give 'em nothing.
Different kind of cinema is being created, people are coming up with different kind of scripts, they are able to come up with scripts that work with the audiences and also scripts which will have something to say to the audience, which is a heart-warming thing.
What I'm hoping is that every album I'm going to do will give my audience something different, and that they'll grow as I do.
The difference between this film [Your highness] and Pineapple Express was pretty much in the logistics of the technical ambition of the movie, and the size and scope of the movie. Pineapple Express was a great success, and that was something that we wanted to capitalize on, but we wanted this movie to be bigger, more adventuresome, bring a bigger audience to the movie, and challenge ourselves to do something new.
You have to find something that you have to obsess over if you're making a movie about it. As a director, you have to be able to pick something that excites you enough that you can breathe it every day.
Whenever I write a novel, I have a strong sense that I am doing something I was unable to do before. With each new work, I move up a step and discover something new inside me.
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