A Quote by Varun Tej
Irrespective of what people think I should do, I choose the kind of film I want to do next. I believe it's always about things falling in place at the right time.
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I'm trying to educate people about things that I believe are right, and some of the things that I believe are right might not be right, so I live in constant self-doubt. I think that creates a kind of search that you have to have, and it prevents you from doing a lot of stuff that you would normally do.
If we really want to cherish religious freedom, people who want to believe that same-sex marriage should take place, they have a right to believe that, and people who want to believe it's inappropriate, we should not demonize those people - if we really believe in religious liberty.
If we really want to cherish religious freedom, people who want to believe that same-sex marriage should take place, they have a right to believe that, and people who want to believe its inappropriate, we should not demonize those people - if we really believe in religious liberty.
But as we are looking toward our future, I'm not sure it matters what we want to be but rather who we want to be. Someone honest or deceitful?Someone kind or cruel?Someone loyal or unfaithful? In any profession we can elect to be any of those things. I think this assignment is not only about what we choose to do but about who we choose to be. I choose to always be loyal to myself. -Raven Madison
I think that to believe is to acknowledge that it's a choice in that present tense and that doubt is always an option. You’re not dealing with a fact like one plus one equals two—I’m gonna choose to believe that. It’s kind of one of those things where you are choosing to believe that someone loves you. That is always going to be your choice. So for me, I think that’s what makes the faith that I have volatile and explosive and dangerous and troubling. That’s what most of my songs are about.
I'm always going to want to be part of music. But who's to say? This whole thing for me in the first place just kind of happened without trying. I think about things like acting and all that, but I'm not going to force it on myself. I'm kind of shy, believe it or not.
You are to do the choosing here and now during this exciting and wonderful time on earth. Moral agency, the freedom to choose, is certainly one of God's greatest gifts next to life itself. We have the honorable right to choose; therefore, we need to choose the right. This is not always easy.
I think we should do better next week, better the week after, and better right throughout the course of our government. Sometimes in parties these things happen, but it is not acceptable and I do believe that what people now want to do is to debate the future - about policy - and I think the issues about what Tony Blair will or will not do are going to be left to Tony Blair
I think, for me specifically when it comes to music, I don't think that I need any persuading to think about it. It's always kind of in the back of your mind and - but I think it's part of who I am and always will be, I mean, in a very cellular way. When you grow up doing, you know, one thing, I think you get to this place where you want to try new things. And I do think that we live in the type of world where people get comfortable with you in one way, and so seeing you in a different way, it takes some time.
I want to win so bad, but I think I've had too much of that lore for attraction that you'll do anything possible to get it. Sometimes people are there at a good time and kind of stumble upon it. Right time, right place type thing. I just want to keep working toward it with my mind and my body.
I believe you shouldn't force the audience's interpretation of a character or a story. The more you explain things, the less intriguing and imaginable they are for viewers. . . . Film to me, in its essence, in its ultimate nature, is silent. Music and dialogue are there to fill what is lacking in the image. But you should be able to tell the story with moving pictures alone. For my next project, though, I'd like to make the kind of film where the characters blabber all the time.
Life holds many, many, many mysteries, abstract things we all think about. In a film when things get abstract, some people don't appreciate that and they want to leave the theater. Others love to dream, get lost, try to figure things out. I'm one of those people. I like a film, a story that holds concrete things but also abstractions. So when ideas come along that have those things, I'm falling in love and going to work.
I don't believe in planning for things. I just want them to fall in place, unfold as they like. I never design things. I want films to choose me; I don't choose films.
My next film is always shaped by the last one... by the things I feel I didn't get right, or the things I like and want to try to develop further, but it always comes out of the last picture.
A lot of the time, when I'm choreographing, I'm not thinking about what movement look best next to the next movement - I'm actually thinking about what song and what sound sounds right next to the next thing. So kind of choreographing as if I'm always making a mix tape, so to speak.
If you go around a time when you're hungry, around mealtime, then you have a desperate search to find something to eat and you have this interplay between approach and avoidance. You go in a place, you smell, if it doesn't smell so good you go to the next place, you look at all the people, they're happily eating, and then you choose that place. So having to reconnoiter, having to go on a kind of treasure hunt for food is one of my favorite things.
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