A Quote by Vasyl Lomachenko
I want to be known to fans and appreciated as a 'boxer-painter' in regards to speed, footwork, punching power - an art form inside the ring.
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I want to do things that no one has ever done inside the ring and outside the ring as a boxer and further my career in the entertainment business after I'm done with boxing.
Bullfighting is anachronistic - you enter into a bullring and you're leaving behind the values of the world outside the ring. I suppose that what I would want to acknowledge is that perhaps the tension, the crucial tension, isn't necessarily between the view of bullfighting as a tradition versus as an art form, but between the values inside the ring and the values outside the ring.
At some point, the power side of the game has to peak, players can't get much bigger. Guys will be doing more footwork and explosive-speed stuff.
You can improve your punching power, but only to an extent. If you can punch hard, then it's just god-given, that's just nature, not nurture and there's not much you can do to develop punching power.
MMA embodies a lot of disciplines of sports with footwork and with football, especially with the punching technique you get the hand and eye coordination.
I know Haye's a good fighter as well and he beat Mormeck but Mormeck is not Enzo Maccarinelli and does not have the speed, stamina or punching power.
All fighters run. The constant motion prepares you for being in the ring. And running strengthens your legs. Punching power comes from your lower body.
I want to show fans what I do best, which is hurt people in the ring and create knockouts. And at the end of the day, that's what fans want to see.
Make no mistake, the days and hours before going into the ring can be stressful for any boxer. The bigger and tougher the fight the greater stress, But if a boxer knows he's stepping out of his league it's even worse.
I really respect those guys that get $250,000 for punching up scripts, because it's an art form.
I see filmmaking as a business and pity anyone who regards it as an art form.
When you match my body size with my talent and my work ethic and my IQ as a boxer inside that ring, I really have it all, and I'm flexible enough to really jump up to any weight - '40, '47 or '54, for the right opponent.
If you're a boxer, you want to get the ring with a Mike Tyson or Muhammad Ali type. When you're acting, you want to get in with Meryl Streep, and that's what I did.
Playing scales is like a boxer skipping rope or punching a bag. It's not the thing in itself; it's preparatory to the activity
It's a punishment game... only two boxers get in the ring. So when we get in the ring and we're not angry, then you're not a real boxer.
There's not as many passive wrestling fans as people would think. There are a lot of fans who just can't get enough, and they're almost more interested in what's going on behind the scenes and the business of wrestling then they are, necessarily, of what's going on inside of the ring.
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