A Quote by Vatsal Sheth

Jis Din Tum' is such a beautiful song to hear. When I came to know that we were going to shoot it in the rain, it was so exciting! — © Vatsal Sheth
Jis Din Tum' is such a beautiful song to hear. When I came to know that we were going to shoot it in the rain, it was so exciting!
'Tum Jo Mile' came as a surprise. Vivek and Kumaar sir, who has written the song, sent me the track just to listen. I was in London at the time for my world tour. I heard the song, and I fell in love with it instantly.
I hear hundreds of years of life. I hear wind and rain and fire and beetles. I hear the seasons changing and birds and squirrels. I hear the life of the trees this wood came from.
Let the rain kiss you. Let the rain beat upon your head with silver liquid drops. Let the rain sing you a lullaby. The rain makes still pools on the sidewalk. The rain makes running pools in the gutter. The rain plays a little sellp-song on our roof at night- And I love the rain.
I hear a good song and I start thinking, 'Oh shoot. You know there's a story that can be told to this,' and whatnot.
There were offers to do 'Tum Bin 2' and 'Tum Bin 3' but then it would have been the same kind of franchise films which I think limit an actor.
You look back and see pictures of yourself, or hear an old song, and you know where that came from or why you were working on that - but you don't want to do that again. You don't necessarily hate it, but you're a very different person now, so, in that way you do.
When her muzzle grew more white than brown, the chipmunk forgot that she and the squirrel had had nothing to talk about. She forgot the definition of "jazz" as well and came to think of it as every beautiful thing she had ever failed to appreciate: the taste of warm rain; the smell of a baby; the din of a swollen river, rushing past her tree and onward to infinity.
You're not going to hear me do a rap song, you're not going to hear me do a jazz song. We have to be true to our roots, do what we do, and try to do it a little better each time.
The people who came to hear me perform or to buy my records were not the type who would be offended [by the song 'The Vatican Rag']. But I gather that there were other people who were offended.
When a song blows your mind the first time you hear it, you don't know where it's going. It's blowing your mind as it's unfolding. Then there's that sensation that you're actually going to remember the song.
Patrick Swayze was in an acting class with me. We were working on Who's Afraid Of Virginia Woolf together, and there was this beautiful blonde who was playing Honey - and I'm playing loudmouthed Martha - and she was so gorgeous, and the two guys were flirting and having fun with her, and so I started crying. Buddy came over and said, "Don't you know that you're beautiful? Don't you know that these women are beautiful?" It meant so much to me, because he was already sort of a star.
Annabeth’s shoulders ached. The elevator’s easy-listening music didn’t help. If all monsters had to hear that song about liking piña coladas and getting caught in the rain, no wonder they were in the mood for carnage when they reached the mortal world.
You kinda don't know what's going to make a good song. You've got to shoot around in the dark for a little while.
I didn't know what it was going to look like or how anything was going to turn out, but the production on 'Teen Wolf' is so amazing. The way that they shoot it, edit it, and put it out there, it's really so exciting. I trust the team so much. They do such a good job.
Whenever I hear somebody cover a song, I don't like to hear it stray too far from the original. I like to hear some of the new energy that a band will put into it, but you kind of want to hear some of the basic parts of the song. I mean, that's what makes it the song that you like.
I chucked my CA final exams to pursue modeling. My parents objected to this, but they soon came around. And after seeing my maiden movie Tum Bin, they were happy beyond words!
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