A Quote by Vatsal Sheth

I feel D-Town makers are coming up with interesting concepts. — © Vatsal Sheth
I feel D-Town makers are coming up with interesting concepts.
A big part of the fun of working on Superman has been coming up with new characters and concepts to toss in, helping to design their costumes, things like that. And I spent ages coming up with the name 'Fortress of Solidarity,' so I want to get as much use out of it as I can!
You see a lot of interesting visual irony on movie sets all the time, you know duality, set illusions, the reality, all that stuff. You play with interesting materials that you couldn't afford to otherwise. You meet interesting people that you work with, have special machinists or mold makers and make-up people, and people who make prosthetic appliances for actress' faces. It's really interesting kind of witch's brew of people in that business, aside from the sleeze bags you hear about on the financial end.
Every morning I'd have coffee with my wife and we would discuss ideas. Sixty percent of what I did for the stores was concepts. The other forty percent was correcting and cleaning up other concepts in house, or doing final art on my concepts. Most of my concepts were so finished they could turn them over to somebody else.
Coming from a small town it was tough to dream big. When I grew up in a small town in Georgia, my biggest dream was one day to be able to go to Atlanta.
I didn't like the Feds coming to town when I was in Miami, telling me what to do. I didn't like them coming to town and thinking that they knew more about Miami than I do.
It's not the job of this town to make me feel happy. It's not this town´s fault that I don't feel I fit in. It doesn't matter where you are in the world, because it's about where you are in your head. It's about the other world I inhabit. The world of dreams, hope, imagination, and memories. I'm happy up here, and because of that I'm happy up there too
Sometimes you have to see the thing to know that it exists. Maybe there's a queer person in a town, but they don't feel comfortable or safe coming out, frankly, and the only representation they feel that they have or connection they have is on television or in a movie, and that's really powerful.
Mike Leigh and Ken Loach are the people I look up to. They are quality film-makers making interesting, controversial, ground-breaking movies with very little eye on the marketplace.
Hyderabad used to be this sweet laid back town, everything was accepted. Coming from Chennai I thought it was a town.
Definitions are temporary verbalizations of concepts, and concepts- particularly difficult concepts- are usually revised repeatedly as our knowledge and understanding grows.
Now, what is it which makes a scene interesting? If you see a man coming through a doorway, it means nothing. If you see him coming through a window - that is at once interesting.
Basically, I have found that people who have tried to start communities out of good feelings or hippie-dippie abstract concepts of love - it doesn't work. But if you just concentrate on what is the identity of your town - its waterfalls, its battles, its notable mill strike or those things - you dig into what your town is from its rock formations to its history to its food. Then this thing called community happens all the time.
I enjoy coming to Scotland, and my favourite memory has to be my first Open at Carnoustie. Coming over from a small town and playing in something so big to golf and y'all.
I really understand where Alice is coming from - I've been in exactly the same place coming from a small town and knowing that I need to do other things, that I have to leave.
That's what I used to do; I would just go into the studio and just rap. But it's all about coming up with dope concepts and dope hooks.
If you look at any sitcom that you watch, if it takes place in, say, a small town in Massachusetts, and it's about the dynamics of the people in that town, the showrunner probably grew up in a town like that, witnessed things, and created content.
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