A Quote by Vatsal Sheth
While I am open to doing a Gujarati film, I don't want to be a part of anything stereotypical. It has to be something out of the box, if something like that comes up, I will surely do it.
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I like the fact that I like to think out-of-the-box. Thinking out-of-the-box goes along with dressing out-of-the-box and living out-of-the-box. If you want to come up with a really original design idea and you want to capture a whole new design direction, perhaps the best way to arrive at that is not by acting and thinking and doing like everybody else. That's all.
He misses the feeling of creating something out of something. That’s right — something out of something. Because something out of nothing is when you make something up out of thin air, in which case it has no value. Anybody can do that. But something out of something means it was really there the whole time, inside you, and you discover it as part of something new, that’s never happened before.
I like to see a film and then start scoring it in my mind while doing something unrelated. You just grasp a film and start working, and something unpredictable comes out from a third element. The mind, the more active it is, the more productive it is.
[at CMC West Coast 2011, on 1 Samuel 14] If just a few of you would step up and be like Jonathan ... as you step out in faith, you know what's going to happen? There'll be people like Saul who'll say, "God's doing something through that guy, God's doing something through that girl. I want to be a part of that.
To me, the producing falls into the same as acting. It requires so much time out of your life, and I take it very personally, I realize. So if I do something, it just has to be something I love and I don't want anyone else to do. When I open projects, maybe something will appeal to me. I think I'm not opening them because I don't want anything to appeal to me right now.
I open the door to the fear landscape room and flip open the small black box that was in my back pocket to see the syringes inside. This is the box I have always used, padded around the needles; it is a sign of something sick inside me, or something brave.
It's always scary when you're doing a sequel to a film, because you don't want to just repeat the first film in a different location like most sequels. You want to do something totally different, and something that actually expands the world of the main character.
There are things that I would like to do, but I make a big distinction between liking to do something and wanting to do something. If there's something that I want to do I've done it. If there's something that comes up that I want to do I will do it.
Superstar,' my first Gujarati film is a game changer for the Gujarati film industry. When I saw it on the big screen, I had goosebumps.
Honestly, I wanted to play it safe with my first film; I didn't want to do something completely out of the box.
When I do a film score, I am basically nothing more than a fancy pencil for hire. I don't own any of the music when I am - it belongs to the film company - and likewise, when I am done, even if I come up with something astounding that I may want to revisit... in the world of film composition, you can't do that.
I never want to forget that I'm doing an impossible thing. How rare is it that you get to be part of something people love? It's really special. It's a very out-of-body experience to be a part of something so huge.
It's like, whether or not you're humiliated or embarrassed or you do well is contingent on the choices that you make in your work. So that is a lot of pressure to be like, 'Oh no, am I doing the right thing? Am I doing something cool? Am I doing something bad?'
I take my craft seriously, of course, but I don't feel the need to always play a certain character or a certain part or persona. I'm not going to cut something out of my life because it's not 'my image.' I want to be open enough that if I love something, I can do it, and it will add to myself as an entertainer.
I am really eager to do a Gujarati film and ideally, I would love to be a part of a light-hearted story.
People have to have the desire within themselves to find out who they are. Who am I and what am I doing here and where am I going? Those sort of basic questions. Even without picking up a book or anything. If they just ask themselves that sincerely, in the quiet of the night, the door will open.
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