A Quote by Veena Sud
The thing I love about this story [The Killing] and this type of storytelling is that I don't have to know the end before I know the beginning.
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The song, 'Life is Better,' is about hip-hop. It's about my love for hip-hop. And, you know, I go through all the artists from the beginning to the end, you know. And, well, not to the end, but since the beginning to now, you know.
I love storytelling, you know, beyond anything. I love a great story beyond a great performance. Storytelling is about what we all do together and how we collaborate together. A performance can be a collaboration in ways, but oftentimes it's one individual thing.
I try to know as much as I can about a book before the beginning, but I never know exactly where it's going to end.
History is lived forwards but it is written in retrospect. We know the end before we consider the beginning and we can never wholly recapture what it was to know the beginning only.
The foundation of all human knowledge, the beginning of human consciousness, must be that each and every one of us is an object of love. Before you know if you have red hair or brown, before you know if you are black or white, before you know of what religion you are a part, you have to know that you are loved
Letting there be room for not knowing is the most important thing of all. When there's a big disappointment, we don't know if that's the end of the story. It may just be the beginning of a great adventure. Life is like that. We don't know anything. We call something bad; we call it good. But really we just don't know.
It's nice to know when you're a part of a story, it's nice to know at least something about the beginning, middle, and end.
Work extra hard on the beginning of your story, so it snares reader's instantly. And know how you're going to end your story before you start writing. Without a sense of direction, you can get lost in the middle.
People always go on about how fantastic relationships are in the beginning, and of course everyone hates relationships when they end, but what about the middles? the middles where you know everything there is to know. Where you can look at the person you love and know what they're thinking, see something on the telly and know how they'd react;When you know exactly what they'd wear to come round and see you.
Know the story before you fall in love with your first sentence. If you don’t know the story before you begin the story, what kind of a storyteller are you? Just an ordinary kind, just a mediocre kind – making it up as you go along, like a common liar.
I told him about the way they get to know you. Not the way people do, the way they flatter you by wanting to know every last thing about you, only it isn't a compliment, it is just efficient, a person getting more quickly to the end of you. Correction - dogs do want to know every last thing about you. They take in the smell of you, they know from the next room, asleep, when a mood settles over you. The difference is there's not an end to it.
TV is the only thing that's really alive, because it's happening as you go. You don't know the end, so another day brings a new life to it. Unlike a play, unlike a movie, where you know the beginning, middle, and end.
In the end, my story, in Iraq and afterward, is about more than just killing people or even fighting for my country. It's about being a man. And it's about love as well as hate.
The weird thing is that working within an established story was actually kind of liberating. You know the beginning and middle and end, more or less, so there's less pressure to figure all that out.
A love affair is like a short story--it has a beginning, a middle, and an end. The beginning was easy, the middle might drag, invaded by commonplace, but the end, instead of being decisive and well knit with that element of revelatory surprise as a well-written story should be, it usually dissipated in a succession of messy and humiliating anticlimaxes.
To wrap up the idea of 'Parade's End' in a sentence or two, I would say it's a love story in which we see a man with two women, and we know what's attractive about them. And we know why and what they feel about him.
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