A Quote by Velveteen Dream
I don't live in a prism, and I'm not afraid of anything. I haven't built any walls around myself.
Related Quotes
I'm not afraid to live. I'm not afraid to fail. I'm not afraid to succeed. I'm not afraid to fall in love. I'm not afraid to be alone. I'm just afraid I might have to stop talking about myself for five minutes.
He looked at the pain and he set himself apart from it. He saw it, examined it, identified it, corralled it. He isolated it. He challenged it. You against me? Dream on, pal. He built borders for it. Then walls. He built walls and forced the pain behind them and then he moved the walls inward, compressing the pain, crushing it, boxing it in, limiting it, beating it.
I am not closed off to anything right now. That is what I was saying about not having any more walls up. I don't want to deprive myself of any bit of life.
You have to be around people you trust; otherwise you can't do anything - you're afraid, you're paranoid, and you can't do any work.
When we begin to build walls of prejudice, hatred, pride, and self-indulgence around ourselves, we are more surely imprisoned than any prisoner behind concrete walls and iron bars.
Miss Prism: Do not speak slightingly of the three-volume novel, Cecily. I wrote one myself in earlier days. Cecily: Did you really, Miss Prism? How wonderfully clever you are! I hope it did not end happily? I don't like novels that end happily. They depress me so much. Miss Prism: The good ended happily, and the bad unhappily. That is what fiction means.
What was I afraid of, exactly? What other people would think? I guess, a little. But that wasn't what was stopping me from acting on my feelings. It was the intensity of them. The desire for her. I knew if I gave into it, I'd have to surrender myself completely. I'd lose all control. Everything I knew, everything I was, the walls I'd built up to protect myself all these years would come crashing down. I might get lost in the rubble. Yet, she made me feel alive in a way I'd only ever imagined I could feel. Bells, whistles, music.
When my work does speak to audiences, when it creates audiences around it, I feel a little less crazy because what that means is that there are folks out there who are interested in thinking about themselves and the world through a prism. The prism is a labor and there can be a pleasure in labor.
I find that if I interact more, the crowd gets way more into the music. We also have a full live show happening, and I have lighting crew that travels around with me. We've got this Infinity Prism thing, which is lots of fun. It's an optical illusion device that we carry around.
Any decision that I make, anything that I do, every single consideration of my day goes through the prism of what my former experience has been.
This nation was built by men who took risks-pioneers who were not afraid of the wilderness, businessmen who were not afraid of failure, scientists who were not afraid of the truth, thinkers who were not afraid of progress, dreamers who were not afraid of action.
We can understand each other with music without words - and that's so important in these times when walls are built. In music, there are no walls.
I have always looked at the world through the prism of money to some degree. If you could follow the money, it explains a lot of things, in all sorts of aspects of the world. You can look at politics through the prism of money. You can look at art through the prism of money. You can look at sports through the prism of money.
Obviously, there are people who constrict themselves and build walls around themselves, whether it's from a moral standpoint or a patriotic standpoint, or just plain old conformity, and who therefore live in those little prisons, and when things breach those walls, it's shocking for them.
I was not trying to be shocking, or to be a pioneer. I wasn`t trying to change society, or to be ahead of my time. I didn`t think of myself as liberated, and I don`t believe that I did anything important. I was just myself. I didn`t know any other way to be, or any other way to live.
Children hop around Phylakopi on sea-polished pebbles the size of bean bags and bask themselves, alongside the lizards, astride the sturdily built walls of Iron Age homes.
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