A Quote by Ventseslav Konstantinov

It is only logical for the translator to become a part of the world of the author. — © Ventseslav Konstantinov
It is only logical for the translator to become a part of the world of the author.
The translator of prose is the slave of the author, and the translator of poetry is his rival.
The translator has to be a good writer. The translator has to hear music too. And it might not be exactly your music because the translator needs to translate the music. And so, that is what you are hoping for: a translator who gets what you are doing but who also gets all the ways in which it won't work in the new language.
My mom's a translator, my dad's a woodworker; that's the world I grew up in, that's the world I'm most comfortable in. The whole idea of Hollywood or any of that other stuff that unfortunately goes along with film, that wasn't part of my upbringing, thankfully.
First become a Zorba, a flower of this earth, and earn the capacity through it to become a Buddha - the flower of the other world. The other world is not away from this world; the other world is not against this world: the other world is hidden in this. This is only a manifestataion of the other, and the other is the unmanifest part of this.
To be a Christian means you become a part of the most significant story the world has ever heard. You don't become part of that without an ongoing questioning of what it means to become part of that.
A translator is essentially a reader and we all read differently, except that a translator's reading remains in unchanging print
If you let your mind talk you out of things that aren't logical, you're going to have a very boring life. Because grace isn't logical. Love isn't logical. Miracles aren't logical.
The desert takes our dreams away from us, and they don't always return. We know that, and we are used to it. Those who don't return become a part of the clouds, a part of the animals that hide in the ravines and of the water that comes from the earth. They become part of everything. They become the Soul of the World.
A translator is to be like his author; it is not his business to excel him.
I do not hold that because the author did a bad job of writing the player need trump it with the same kind of acting. When I go into a picture I have only one character to look after. If the author didn't do him justice, I try to add whatever the creator of the part overlooked.
So, how to stay inside the world of entertainment without actually getting another job? I felt the only logical answer was to become a novelist. So I wrote the first book - driven by some very real feelings of desperation - and it worked.
I think the fact that my parents are still, "Hey, great, that's great!" and not, "We need you to do this and be a star!" - it was never like that. My mom's a translator, my dad's a woodworker; that's the world I grew up in, that's the world I'm most comfortable in. The whole idea of Hollywood or any of that other stuff that unfortunately goes along with film, that wasn't part of my upbringing, thankfully.
It's important to get a translator who will ask the questions in a sensitive and thoughtful way. Knowing the ethnicity issues, the tribal issues in some places...who your translator is can mean a lot.
The world is forever babbling of originality; but there never yet was an original man, in the sense intended by the world; the first man himself--who according to the Rabbins was also the first author--not being an original; the only original author being God.
When you're in the desert you witness acts of power. When you're in the world of the tonal, drop all that nonsense, become logical and orderly and have fun with that.
Fools have a habit of believing that everything written by a famous author is admirable. For my part I read only to please myself and like only what suits my taste.
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