A Quote by Venus Williams

When you step out on the court, I don't think anybody thinks about age. Because if you're out on this tour it means you deserve to be here. You've got the skill. It must mean you know how to play.
It can be hard to keep that mentality but I know that to play your best you can't be worrying about getting dropped, because then you just go into your shell even more and play safe. I've just got to come out and play how I know I can play - that's the way that you get the best out of yourself.
Just because you’ve only been alive for fifteen years doesn’t mean you’re less anything except old. That’s all it means. It doesn’t mean you’re less experienced. It doesn’t mean you’re less intelligent. It doesn’t mean you’re less sensitive. It doesn’t mean you take things less seriously. It’s like, these are younger human beings, meaning don’t, because they’re only ten, start thinking that they don’t know what you’re talking about -because they do. Don’t leave people out in the cold, and don’t talk down to people -don’t. It never works out.
My God, he couldn't help thinking, how terrible it is to be that age, to have emotions so near the surface that the slightest turbulence causes them to boil over. That, very simply, was what adulthood must be all about -- acquiring the skill to bury things more deeply. Out of sight and, whenever possible, out of mind.
But I can't find anybody. That's the problem. I don't know where they are. I mean, I've got an idea that there must be someone to play with. If I was going to play properly, I should need some really good people.
Don't get me wrong - I love Jason Kidd. He's a great point guard (But) how am I comparing myself to him when I think I'm the best point guard to play basketball? That doesn't make any sense. I mean, how can I sit here and compare myself to somebody if I already think I'm the best?I'm telling you what it is: I know I'm the best point guard in the NBA. I don't need anybody else to tell me that. When I go on the basketball court, if I think about what you're all saying, I'll lose my mind.
All of the legal defense funds out there, they're looking for people out there with court of appeals experience, because court of appeals is where policy is made. And I know, I know this is on tape and I should never say that because we don't make law, I know. I know.
I don't care more about '13' because it's in the Olivier than I did about 'Cock' in a 100-seat studio. They both matter because it's still a person sat there watching your play. And the play has to be good enough - because there are a hundred other writers out there who deserve to have their play on instead.
In a few more days we will celebrate Xmas, the day we commemorate the birth of you-know-who. ...It seems the modern consensus of enlightened people that his name should be used in polite society only when cursing.... [P]oliticians are often eager to associate themselves personally with you-know-who, even -- and especially -- when they rather flagrantly ignore his injunctions.... He was out of step then, and he is out of step now. He is eternally out of step, and eternally more powerful than those who keep in step. You know who I mean.
For me, basketball was always about survival because I was just trying to get out the hood, right? When I got to Chicago, I'm like, 'I'm just trying to survive, and anybody I got to step on or break, so be it.'
In old age our bodies are worn-out instruments, on which the soul tries in vain to play the melodies of youth. But because the instrument has lost its strings, or is out of tune, it does not follow that the musician has lost his skill.
I've seen a lot of people getting into Jazzmasters because of me, and, well, people don't know what they're in for. I mean if you're looking for endless sustain, you're going to have to get it out of your hands (laughs). Because a saxophonist gets it out of his breath. You've got to work for it on the guitar - it means you have to pull it out of yourself, otherwise, what are you doing? You end up playing a lot of noise or scale exercises.
Once the Champions Tour got in me and got a hold of me, I found out how great this Tour is and how much I enjoy it.
My career was one of just taking it step by step. I didn't know how I was gonna fare on the professional circuit when I qualified. I didn't know whether I was gonna make a dime. I didn't know anything but this one thing: I had some dreams, and I was gonna work harder than anybody out here to ply my trade.
I feel that when I began writing, I had a need to know more about the play before I got into it. I think that's the way I was thinking. But my actual experience is that the best way to find out what the structure is, is by writing the play out laterally. You just have got to be brave enough to start without knowing where you are going.
I've been putting out records for so long, but I didn't want to tour because I didn't think anybody really cared.
Clarity is of no importance because nobody listens and nobody knows what you mean no matter what you mean, nor how clearly you mean what you mean. But if you have vitality enough of knowing enough of what you mean, somebody and sometime and sometimes a great many will have to realize that you know what you mean and so they will agree that you mean what you know, what you know you mean, which is as near as anybody can come to understanding any one.
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