A Quote by Venus Williams
You've got to live in the moment. When it's over, it's over.
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Either over neither, both over either/or, live-and-let-live over stand-or die, high spirits over low, energy over apathy, wit over dullness, jokes over homilies, good humor over jokes, good nature over bad, feeling over sentiment, truth over poetry, consciousness over explanations, tragedy over pathos, comedy over tragedy, entertainment over art, private over public, generosity over meanness, charity over murder, love over charity, irreplaceable over interchangeable, divergence over concurrence, principle over interest, people over principle.
How often are you worrying about the present moment? The present moment is usually all right. If you're worrying, you're either agonizing over the past which you should have forgotten long ago, or else you're apprehensive over the future which hasn't even come yet. We tend to skip over the present moment which is the only moment God gives any of us to live.
Try not to be concerned with it. It's a spiritual thing. Don't look for the results, don't live in the payoff. Live in the moment which is a spiritual principle. Live in the moment and let the results take care of themselves. It's in the hands of God. The rest is all ego. And I have learned, over the years, it's got nothing to do with me. As my life is none of my business.
I like to think of my best moment on the job as quiet victories. Victories over what? Over the "system", over the various bureaucracies not watching me, over my colleagues' indifference, over my patron's ignorance, over the very concept of horn-blowing pride.
The cross stands as a mystery because it is foreign to everything we exalt- self over principle, power over meekness, the quick fix over the long haul, cover-up over confession, escapism over confrontation, conform over sacrifice, feeling over commitment, legality over justice, the body over the spirit, anger over forgiveness, man over God.
I've said multiple times, over and over and over and over and over and over and over and over again that I want to play for one team my whole career.
I think you got to live in the present and once it's over, it's over.
To be fully alive, fully human, and completely awake is to be continually thrown out of the nest. To live fully is to be always in no-man's-land, to experience each moment as completely new and fresh. To live is to be willing to die over and over again.
Suffering makes you live time in detail, moment after moment. Which is to say that it exists for you: over the others, the ones who don't suffer, time flows, so that they don't live in time, in fact they never have.
Hawaiians are mellow people, but we all live on an island so we see each other all the time. So like you either got to be real nice, because once you have a problem with somebody, you're gonna see them over and over and over, and you're gonna end up fighting. That's why we fight. We're all stuck in one area. You can't get away.
A lot of times I use live musicians, but I don't want it to have that live funky sound so I'll just take the best loop of a drum part and repeat it over and over and over again so that there's consistency and it feels a little bit more programmed. But I have a love/hate relationship with comping as well.
You get lucky and you capture that magic in that one moment. You're not going to get it again no matter how many times you do the song over and over and over.
See, in my line of work you got to keep repeating things over and over and over again for the truth to sink in, to kind of catapult the propaganda.
'Lonesome Dove' was the movie. I watched that over and over and over again, and I know every line. It was one that I loved as a kid for all the horses and characters that went over my head, but then the older I got, I realized how amazing it was on so many other different levels - Robert Duvall and Tommy Lee Jones' relationship.
Europeans really provided many venues over there and hailed the jazz artists, and a lot of musicians went over there and stayed over there for a long time. A lot of them moved over there, lived over there, and died over there.
I have a tradition of working with actors, over and over again. I've worked with Jason Bateman, over and over again. You get to know an actor, and you get a certain trust and a comfort, and you become really good friends, and you feel like you've got a short-hand.
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